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Out & About - August

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By Susan Hornik

Television   

NBC has had huge success with "American Ninja Warrior," which was recently nominated for an Emmy. "I have been so excited with how the show has been appreciated by viewers. It has been an amazing season," said host Akbar Gbajabiamila.

Gbajabiamila has a busy schedule, co-hosting NFL Fantasy Live and the "Team Ninja Warrior" spinoff on USA Network. It's no wonder why health is of utmost importance to him:

"I recently saw the documentaries, 'What The Health' and 'Sugar Coated,' it blew my mind. Whereas I am always working out to improve the exterior of my body, I am now doing a lot of work to improve my interior-what I am consuming and how I am consuming it. We only get one life; I want to make sure I am staying fit. I became vegan recently and I love it."


Akbar Gbajabiamilla, host of American Ninja Warrior, and Ninja Kevin The Bull at their Emmy lunch


Food

There were numerous delicious items at the 7th annual LA Food and Wine Festival. Celebrity chef Curtis Stone hosted Thursday night, with both of his restaurants, Maude and Gwen, serving an impressive 4,000 portions of food. "It's incredible to be here, it's nonstop for us, as we are also coordinating a dinner and a lunch after this, but I always love to challenge myself."
Chef Jamie Lauren (remember her from Bravo's "Top Chef" and "Top Chef: All Stars"?), had long lines as people waiting to experience the unique burger from her pop up, Hank and Frida's Burger Time. "Hollywood is such an exciting place for food these days. I love being able to come here and talk with people," she enthused.

One of the standout dishes on Saturday's event was the risotto, expertly created by Rays and Stark Bar's renowned chef, Fernando Darin.


Prepared by Chef Fernando Darin

"I was playing with these ingredients in the restaurant," Darin explained. "The way I like to eat risotto is to make the rice a star-there are no other textures besides the rice. It was a crazy process but it came together wonderfully."

If ever you go to LACMA, check out one of Chef Darin's amazing creations!


Film

Lella Satie, has had enormous success with her short film "Father" at the international film festivals. "Living in Hollywood has been very good for me creatively speaking. The industry is so prevalent here and there are many interesting people to collaborate with."

With the American Film Institute's film festival coming up in Hollywood this fall, Lella is excited abut all the networking possibilities."It's truly great to be able to connect with fellow filmmakers. "


 

Initially the reason for writing the film was to create a role for herself as an actor.
"But then the vision got bigger and I realized I have to direct it.," said Satie. "At that point, I held auditions and gave my role to Mandy May Cheetham, who did a great job as Maggie. I still made a cameo appearance and had a great production team." Award-winning Director Of Photography Stephen Whitehead Chandler worked on the film, along with composer Veljko Kuzmančević."

The film screens at the Burbank Film Festival on September 8th.


Culture

Hollywood is a mystical place for many occultists like Jessyka Winston, a rootworker who practices hoodoo in Hollywood. "Hoodoo is an African American folk magic, and natural medicine tradition created in the south by the early descendants of Africans brought here as slaves. It is a practice that was created to overcome suffering and challenging conditions."


Jessyka Winston

Hoodoo's sole purpose is self-improvement, and the healing of community, noted Winston. "The work I do is focused on improving the daily lives of my clients. Whether it be in matters of love, finances, healing and guidance on your spiritual path, I can be of service."

Winston believes we are currently in the age of enlightenment.

"Enlightenment is the removal of illusion. We are finally seeing what has always been there and that is the blessing disguised as chaos. We cannot heal what isn't exposed. Now more than ever, we need to be focusing on the bigger picture and get to work. The world we see is nothing more than the projection of each individual's internal landscape. By improving our human experience and creating inner harmony, we'll be able to project that onto the world."

Winston runs her business from her home apothecary, where she provides the local customer an extensive menu of magical tools for self-improvement and self-healing. Items like fixed candles, Mojo bags, as well as Rootwork (spell work) services and Tarot readings.

"I love how central and vibrant the neighborhood of Hollywood is. This area is the heart of LA. This makes it easy and accessible for clients to find and meet with me. There is so much to offer; being in the center of everything has definitely added to the growth of my local business."

One of Winston's favorite spots is Rock n Roll Ralph's. "I buy a lot of the natural ingredients like herbs, flowers and even candles for my work."


Drinks

Many Italian wineries have capitalized on the agritourism trend and have small hotels/B&Bs for tourists to stay on property and see the process of making wine firsthand. But even if you can't get to Italy, you can still head to your local liquor store and purchase the Tuscan luxury wine, Gagliole, Sicily's Feudi del Pisciotto and Piedmont's Pecchenino. These are beautiful wines that are perfect for late summer.


World Cabernet Day is coming up on August 31-you can celebrate with Feudi's Missoni Cabernet Sauvignon Terre Siciliane IGT, a deep ruby wine which goes well with porcini mushrooms and aged cheese. Feudi del Pisciotto collaborated with some of Italy's finest fashion designers, including Versace, Valentino, Missoni, Carolina Marengo, Alberta Ferretti, Gianfranco Ferré and Giambattista Valli, to create the packaging for Pisciotto's designer wine line. A portion of the proceeds from these modern wines is donated to the restoration of fine Sicilian art.


Beauty

If you are looking for a pick me up to combat summertime dehydrated skin, try Beauty Bar Clinic's Hydrafacial. The med spa is newly open in Hollywood.

"The Hydrafacial is ideal for celebrity clientele as it delivers immediate results in making the skin look brighter and healthier," said Ashraf Eleish, president. "It's great for red carpet events due to the brightness and skin clarity that it can deliver. Especially for those who unfortunately have to deal with problematic skin, the Hydrafacial can correct those issues without the use of invasive cosmetic treatments. So, same day results with amazing post make up applications."



The Hydrafacial is a popular treatment for Beauty Bar's array of celebrity clients like Paris Hilton, Kate Winslet, Drake, Justin Bieber, and numerous "Real Housewives" stars.
The medical grade resurfacing facial uses vortex fusion techniques to exfoliate, extract, hydrate and infuse essential serums that are packed with vitamins and ingredients which benefit the skin and make it look healthier and brighter than ever before.

Other treatments at Beauty Bar include botox and the noninvasive fat reduction technique, cool sculpting.

Nevertheless, She Persisted - Theatre Review

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By Bill Garry


"Nevertheless, She Persisted" is an evening of five short plays by women playwrights. L.A.'s Echo Theater Company created the show as a response to the outright sexism now playing in our country's political theater.

If you're looking for feminist bonding and uplifting anthems, this is not the place, despite the show's hopeful title. What the show does gives you is five windows -- grimy, gritty windows -- into the contemporary world of twenty-something women.

Joey Stromberg, Landon Mirisciotti, Kaiti O'connor
Photo by Darrett Sanders

First up is "At Dawn," by Calamity West, directed by Ahmed Best. In an isolated cabin, a woman is interrogated by the police about her sexual, political, and financial associations. There is constant threat of physical abuse and, when it happens, it is swift and brutal. While I appreciate the show's powerful statement about women's lack of power over their own lives, the intensity of the violence cast a pall over the rest of the evening. I would have liked to see this piece performed in a later slot. Also jarring: this piece is set in 2047 -- thirty years in the future -- but the setting and dialogue felt more like the distant past.

"Yajū," written and directed by Mary Laws, brings us back to the present. A twenty-something daughter named Ray and her mother, Hope, discuss the mysterious death of the family pet. The conversation shifts from banal arts'n crafts to dark forces. Is Ray numb? Psychotic? Or just infantilized by her mother? The play doesn't answer any questions. It just takes us on a dizzying merry-go-round ride.

"Sherry and Vince," by Charlotte Miller, directed by Tara Karsian, is another tête-à-tête between a twenty-something woman and an adversary. Sherry visits a man in prison whose rape of her started a cycle of horrific tragedy in her family. Vince mansplains. Sherry struggles. Vince belittles. Sherry wavers. Vince confesses. Sherry takes back her power. These characters are fascinating creations, and are ready for a bigger play -- and bigger world -- to be built around them.

"Do You See," written and directed by Sharon Yablon, is the longest of the pieces. It's a multi-scene play that takes us into the world of three twenty-something friends living under the constant threat of sexual exploitation and assault. It's another view through the grimy window.

Wendy is a sex addict. Dana is numbed out. Angela, smart and sensible, is trying to find herself by finding a husband and/or following the crowd. Dave, the lone man, veers from asshole to nice guy to threat. The women spend most of their scenes together standing awkwardly and sharing their anxiety.

The writer then gives us an emotional subplot that seems as if it is from another play. A young woman from the neighborhood is missing and a "Have You Seen Her" flier is posted on the telephone pole in front of Dana's apartment building. One day, the missing woman's mother shows up at Dana's door in search of her daughter. Real feelings are unleashed by Violet, the mother, and Dana is swept along. The scenes with Violet (I'll tell you about the gifted actress who portrays her later) flow naturally and bring the piece to life, even as we are certain that Violet's daughter is dead.

Rachael Olsem, Lindsay Graves Fisher
Photo by Darrett Sanders
The final piece, "Violet," by Jacqueline Wright, directed by Teagan Rose, provides a short, simple and welcoming coda to a strenuous night of theatre. After a man rapes Violet (no relation to the character in the earlier piece), she sits by herself in her dark apartment, going through the anger, doubt, panic and hopelessness that you would expect. Then Lea, her neighbor and friend, enters the scene. Lea holds Violet and calms her. She tells Violet that there is healing and hope in the light. And curtain.

The Echo Theater Company is known for "Ballsy Original Plays," as LA Weekly puts it, and Nevertheless, She Persisted delivers on that ballsiness. But five plays with the same depressing outlook does not make an enlightening night of theatre. I am the parent of a twenty-something woman and my date for the show was a slightly-older-than-twenty-something woman. I know that this is reality. But the opportunity was to show multi-dimensional characters of diversity and nuance, not clichés; the young women as dingbats, the men as rapists and the mothers living in the past.

Yet all of the actors -- members of the Echo's Associate Company -- are solid, believable, and due applause. Mostly twenty-somethings, they created personalities that fit the characters to a T and took their roles as far as the writing allowed. Three actors transcended the clichés with authentic, engaging performances; they are Alex Waxler (Dave) and Susan Louise O'Connor (Violet) in "Do You See," and Julie Dretzin (Hope) in "Yajū."

Mr. Waxler wanders into the "Do You See" party scene as a Cro-Magnon trying to impress and get laid. As he loosens up and reveals his New Age side, Dana falls for him and we approve. Mr. Waxler gets us to root for him. When he returns for a last dance with a very bad intention, we are angry with the playwright, not the character.

Susan Louise O'Connor takes on Violet, the mother of the missing woman, with such depth and feeling that I wanted the play to be re-written around her. While the other characters shallowly speculate about the missing woman, Ms. O'Conner sees her.

Julie Dretzin is Hope, the manipulative mother in "Yajū." Her carefully calibrated performance plays off of, and contributes to, her partner's performance. As the play spins, Ms. Dretzin compels us to watch.

These performances tell me that the playwrights were able to create magic when they stretched themselves and imagined characters that were beyond their own experience. I'd watch for more from Ms. West, Ms. Laws, Ms. Miller, Ms. Yablon and Ms. Wright.

Blackbird - Theatre Review

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By Harrison Held

I attended the terrific opening night of the intense, dark drama "Blackbird" by David Harrower held in the MET Theatre's  cozy Great Scott Theate. Blackbird is the first production from director Don Bloomfield's DBA Studio and is a winner.

The two leads, Cali Fleming and Michael Connors give wonderful performances in this bleak tale about a lovely 27-year-old woman named Una who seeks closure with Ray. Fifteen years earlier when she was 12 and he was 40, Ray initiated an inappropriate relationship with Una. Ray served time in prison for his crime and paid the price -- he destroyed his life, his reputation and his livelihood. Una, the willing underage victim also spent the last 15 years of her life in a prison. It has been hell for both of them. The piece could also very easily be called "When People Make Grave Mistakes" and is definitely worth seeing.

The play takes place in the shoddy, garbage strewn staff room of the place where Ray has found acceptable but meager employment. Una has found his photo online and tracked him down. The story is very intense and very poignant -- Cali Fleming and Michael Connors both give exceptionally moving performances. The material is dark and sexually graphic and is not for children or the faint of heart.

The title "Blackbird" stands for jailbird in Scotland where playwright David Harrower is from and where the play is set. Ray is truly remorseful for his actions as is Cali. Ms. Fleming has some truly difficult, emotionally charged scenes in this disturbing and heart-breaking piece, giving a wonderful performance, as does Mr. Connors. Kudos to lighting designer Donny Jackson who sets just the right mood.

For tickets and more information visit www.blackbirdhollywood.com or call 323-960-4412. To learn more about award winning director Don Bloomfield's DBA Studios visit www.dbastudio.com.

Viver Brasil Celebrates Their 20th Anniversary at the Ford Amphitheatre

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By Joan Alperin

Viver Brasil at the Ford Theatres on September 22 is an event you do not want to miss. I've seen this extraordinary group several times during the years and they never disappoint.

Viver Brasil is an Afro-Brazilian dance company based in Los Angeles. The group is led by artistic directors Linda Yudin and Luiz Badaró. This super talented company of dancers and musicians will perform joyful dances and musical forms rooted in the sacred and contemporary traditions of Brazil.

The evening honors Viver Brasil's 20 years of creating a stronger humanity through bold, soulful and thought-provoking Afro-Brazilian dance theater. Their performance art explores contemporary themes of race, gender and social equity.

The company exalts the ancestral wisdom of Orixá dance and music. The choreography ranges from the socially charged dances of frevo, samba and afros bloco. The Brazilian Carnival spectacle with irrepressible and exuberant physicality, power and passion is alive in their performance. The company's dancers unveil history, ignite the present, and imagine and brighten the future. Vocalists become part of the action and musicians take polyrhythms to new heights. 

Also featured are world premieres by two internationally renowned female Brazilian choreographers: Bahian-based Vera Passos (Para Onde o Samba Me Leva/Where Samba Takes Me) and Los Angeles-based Marina Magalhães (Cor Da Pele/Skin Color).

New musical soundscapes will be created and performed live by Kahlil Cummings, Simon Carroll and Bobby Easton. It will be Viver Brasil's twelfth time appearing at the Ford Theatres. This event will have you dancing in the aisles. I should know. That's exactly what I do every time I see them.


Event info: Friday evening, September 22, 2017 at 8:30 pm. The Ford is located at 2580 Cahuenga Blvd E, Los Angeles, CA 90068 (just off the 101, between Hollywood and Universal Studios in the Cahuenga Pass). 

To purchase tickets visit the Ford Theatres wesbite or call 323-461-3673.

Heartbreak Help - Theatre Review

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By Harrison Held

Teresa Ganzel, Stan Zimmerman, Sarah Gilman,
Melissa Peterman and Marissa Jaret Winkour
Photo:Adam Southhard
Opening night of Justin Tanner's comedy "Heartbreak Help" at The Dorie Theatre at The Complex on Santa Monica Boulevard was a total blast! This revival of the popular acclaimed play well produced and well directed by Stan Zimmerman ("Roseanne,""Gilmore Girls,""The Golden Girls") features an incredible all star cast starring Melissa Peterman ("Reba"), Marissa Jaret Winokur ("Hairspray"), Teresa Ganzel ("The Toy") and Sarah Gilman ("Last Man Standing").

The play is incredibly funny and these ladies are pure comedy gold. The fast moving non-stop action takes place in a small somewhat bland, low-rent hotel room with two double beds. Feisty and hilarious Margo (comedy pro Melissa Peterman) and prissy, polite Paula (the always funny Teresa Ganzel) have ride-shared to a women's spiritual retreat in the desert through a Craiglist's ad.

They are pretty much polar opposites and comedic madness and magic ensues. Joining them are the hysterical mother-daughter duo of Andromeda (Tony Award winner Marissa Jaret Winokur) and Sage (super talented Sarah Gilman) resulting in even more comedic madness and magic! Andromeda is a sincere and loving new-age healer who is excited to meet her guru Brynn Masters who is leading the retreat.

Rebellious young daughter Sage has been dragged along because Mom won't trust her on her own at home and she's not a big fan of her Mom's practice. Lots and lots of laughs. "Heartbreak Help" marks Tony Award winner Marissa Jaret Winokur's non-musical theatre debut and she is terrific.

A few years ago I attended the hit comedy "Meet and Greet," which was another great production directed by Stan Zimmerman starring Teresa Ganzel. Memories of that play still make me laugh to this day and when I heard they had teamed up for Heartbreak Help I knew I had to attend and I'm so happy I did. It is definitely a must-see and plays for just two more weeks. Kudos to co-producer/assistant director Starina Johnson too.

"Heartbreak Help" is a Pop Up Playhouse production playing through Oct 1. Visit the website for tickets. Enjoy!

Fixed - Theatre Review

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By Annette Semerdjian


Boni B. Alvarez, Chris Aguila, Allen Lucky Weaver and Tonatiuh Elizarraraz
Photo:Darrett Sanders
As the spotlight captures three fabulous drag queens at center stage, the music, reminiscent of the New York City LGBTQ community's underground ball scene, turns up and the House of Malacanang vogues down the walkway. The Echo Theater Company proves again that is truly the "Best Bet for Ballsy Original Plays" as LA Weekly stated in 2014 with its latest production directed by Rodney To, "Fixed."

The story follows young Miracles in the House of Malacanang's massage parlor along with Jenny, Carmie and their House Mother, Gigi. The play is partly inspired by NYC's ball culture represented in the 1990 documentary "Paris is Burning," which depicts different Houses competing in these balls and also each House as a home with a chosen family for mostly transwomen and gay men of color. The play is also inspired by Calderon de la Barca's 17th century play "El Medico de su Honra."

Playwright Boni B. Alvarez plays the role of Gigi, someone who can cut you with her words and check you back into reality quicker than she pop opens her fan. Gigi's entrance demands attention and is met with cheering and applause as her flowy, colorful dress and attitude clearly represent her rank as queen of her group of misfits.

Renée-Marie Brewster and Anna Lamadrid
Photo: Darrett Sanders
Jenny, played by the hilarious Allen Lucky Weaver, is Miracles' House sister who tries to reason her out of the romantic fantasy with Marciano who toys with her emotions versus Gigi's more aggressive means of separating the two. Chris Aguila beautifully plays Miracles as someone who fiercely refuses to let anyone advise her on her journey through self-discovery, gender identity and love. Wade Allain-Marcus is from the hit HBO show "Insecure" and plays a different type of character this time as the womanizer Marciano. Besides Miracles, Marciano also manages to put Lizette under his spell. As Lizette chases emotionally unavailable Marciano, AJ, played by Adrian Gonzalez, chases after Lizette.

Anna Lamadrid plays naive Lizette in one of the funniest performances ever played on a theater stage. Although each actor was very well cast and brought a unique flare to his or her character, Lamadrid's performance was a standout. Lamadrid plays her role perfectly as the sassy yet vulnerable Lizette and had the audience waiting for her next scene on stage again.

Tonatiuh Elizarraraz was also exceptional as the young and eager Carmie, the only member of the House who isn't Filipino, looking to earn her House name of Malacanang. Carmie eventually gets to compete for the House of Malacanang in a ball and Elizarraraz performs his choreography to the T while wearing heels in full drag. To someone who may not have been exposed to the world of competitive voguing prior to this role, his performance was on point and had the audience cheering along as he finished with the iconic and very difficult vogue move: the "death drop."

Joseph Valdez and Wade Allain-Marcus
Photo: Darrett Sanders
In the middle of this entire conflict, are Dana and Hudson, an ambitious duo looking to get Hudson elected as county sheriff. They are also trying to keep Miracles and Marciano apart since he is Hudson's brother and Miracles' gender fluidity isn't a good image for their family, according to Dana and Hudson. Renee-Marie Brewster as Dana and Joseph Valdez as Hudson both give an evocative performance as two people who may mean well, but let their political drive dictate their relationships with others in maintaining the perfect public persona.

"Fixed" ultimately tells a story about chasing ideals of love, reputation and acceptance and a diverse cast of lively characters that everyone can find themselves in.

"Fixed"
plays at Atwater Village Theatre through October 22.

Grey Nomad - Theatre Review

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By Joan Alperin


Ros Gentle, Paul Tassone, Wendy Hammers and David Ross Paterson
Photo:Adrian Wlodarczyk
Australian playwright Dan Lee came up with the idea for "Grey Nomad," a couple of years ago. He was living in the Australian town of Boome and noticed that every year during the dry season, 15,000-60,000 baby boomers would come to town in their R.V.'s -- retired folk who decided to spend the rest of their lives just traveling around the country.

When the play opens, we meet Helen, played by the excellent Ros Gentle, and her husband, Jim (David Ross Paterson), sitting on a beach. The set is comprised of only two, three or four chairs at a time and it's the imagination of these talented actors allows the audience to travel to these locations. Jim has waited his whole life to stop working and hit the road where he could spend his days fishing, barbecuing and camping. Helen, however, doesn't share his enthusiasm. She misses her children and her life back home.

Jim loves to talk and talk, but to Helen's dismay, he's only interested in talking to her. It seems her hubby is extremely anti-social. That explains why he wants to hide from the couple they had met earlier. Helen, on the other hand, is much more open to meeting new people, and she's about to get her wish. Running onto the stage comes this wild half-naked American woman, Val (Wendy Hammers), followed by her husband, Tim (Paul Tassone), who loves his body (perhaps even more than he loves his wife). Tim takes great pleasure in performing various yoga positions where he exposes his 'family jewels.'

Throughout the play, the couples meet each other at different places, at a restaurant, in Val and Tim's luxurious camper and a club where they're having a wet t-shirt contest. It's through Helen and Jim's relationship with Val and Tim that they wind up discovering what really matters in life.

"Grey Nomad," directed by Iain Sinclair is not a perfect play. At times it's hard to understand the actors dialogue because of their accents, but it is funny and touching, and a trip worth taking, especially for the baby boomer generation.

The play is presented by the Australian Theatre Company as a visiting production at Skylight Theatre. Performances continue through October 8.

Runaway Home - Theatre Review

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By Bill Garry

Camille Spirlin and Maya Lynne Robinson
Photo: Ed Krieger
"Runaway Home" is a political play that goes down easy like a sitcom, but leaves the audience with new awareness and renewed sympathy for the lingering tragedy of post-Katrina New Orleans.

The play brings us back to the devastated Lower Ninth Ward, a proud African-American neighborhood, three years after Hurricane Katrina struck in 2005. Families are still uprooted. Homes that may or may not be abandoned (is a house abandoned when the family has been forcibly relocated to another state and can't afford to come back?) are being bulldozed by the government.

Living in the debris, trying to pull their lives back together, are 14-year-old Kali (super-talented Camille Spirlin) and her mother Eunice (an authentic Maya Lynne Robinson). Kali is a super intelligent "vocab all-star" who raps, rhymes, steals and scams her way around the neighborhood. Eunice, a simple, average woman, is in a constant state of overwhelm -- dealing with her troublesome teenager, the tragic loss of her mother and boyfriend during the storm and her similarly overwhelmed neighbors.

Those neighbors include schoolteacher Shana (no-nonsense Karen Malina White); traumatized Mr. Dee (a superb Jeris Poindexter); anxious and depressed bodega owner Armando (a conflicted Armando Rey); and "gutting and mucking" construction worker Lone Wolf (a hyper Brian Tichnell). Memories of lost boyfriend Tat (a buoyant Leith Burke) stoke the plot and are woven throughout the show.

Leith Burke and Maya Lynne Robinson

Photo: Ed Krieger
Despite a topic filled with frustration and heartache, playwright Jeremy J. Kamps focuses on the characters and their relationships, making the show accessible, fast and funny. There are a few dark twists, but Kamps keeps it light. In a community meeting scene, for instance, Shana's powerful speech (criticizing FEMA and asking "who is really doing the looting?") is tempered by Lone Wolf and Mr. Dee's comic business.

Speaking of Mr. Dee, Jeris Poindexter's performance of this elderly neighbor is a standout. From the moment the mumbling old man steps on stage, Mr. Poindexter raises the play's stakes and its level of dignity and pathos. His Mr. Dee movingly represents the confusion, anger, faith, hope and humanity of the people of New Orleans.

"Runaway Home" is playing through November 5 at the Fountain Theatre.

Frida-Stroke of Passion - Theatre Review

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By Bill Garry

The last week in the life of Frida Kahlo is the subject of the Macha Theatre's original production of "Frida - Stroke of Passion." Writer-director Odalys Nanin has created a comprehensive tour of Frida's life with Mexican spit and fire. Ms. Nanin is also the star, portraying Frida Kahlo as a playful lover of life who has been cursed with an imperfect body (born with polio, victim of a horrific trolley accident) and excruciating episodes of pain.

The play is set in Frida's bedroom where the artist, at age 47, is addicted to pain killers, alcohol and sex. Conspiring against her sex life is her uncooperative body and her nosy nurse. Frida perks up only when her husband, Diego Rivera, deigns to visit. But their relationship is irreparably wounded from years of intentional and unintentional hurt.

The play is laid out in brief episodes -- a mix of dreams, memories and current (July 1954) action. Most scenes focus on Frida's bisexuality, bringing female lovers -- past and present -- into her bed. The women's visits are used as history lessons and are overloaded with exposition, helping the audience understand the violent context of Mexican society at the time and the challenges of being a female artist in a very macho Mexico.

One scene is a burlesque with Judas, a.k.a. Death, who acts as Court Jester. Frida's exceptional imagination -- and the play -- comes alive (no pun intended) during this scene, making use of a clever projection screen (explained as the mirror over Frida's bed) and creative stage effects.

Ms. Nanin and her co-director, Nancy De Los Santos-Reza, use the intimate Macha Theatre well, making use of balconies, a roaming guitar player, and creative projections to underline the action. Oddly enough, it is the cast that is not intimate. The actors -- all Latinx with impressive credentials -- deliver broad, stagey performances better suited to a Telenova than a live show ten feet from the audience.

The play tells us that Frida was a woman of tremendous artistry, passion and conviction who suffered and witnessed tremendous loss. But we don't feel it. To be more than a history lesson, the play needs authentic, extended moments of this remarkable woman's tenderness, anger and pain.

"Frida-Stroke of Passion" plays at Macha Theatre through Oct 1.

Out & About - September

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By Susan Hornik

September is always such a busy month with many Emmy-related events in Hollywood.

Emmy Preview


At the Emmy Awards media preview, I met winery Sterling Vineyards who, for the second year in a row, was the Exclusive Wine Sponsor of Emmy Awards Season and all Television Academy nominee celebrations. Sterling wines were chosen by the Television Academy Governors Ball Committee to pair with the menu created by acclaimed Chef Joachim Splichal and Patina Catering. Guests enjoyed the 2014 Napa Valley Cabernet, 2015 Sauvignon Blanc and 2015 Chardonnay.

I also met with sparkling wine, Ferrari Trento, Italy's most awarded sparkling wine producer, who returned as the official bubbly of the Emmy Awards for the third consecutive year. Ferrari's Brut Trentodoc was served to guests at the Creative Arts Emmys as well as the Primetime Emmys & Governors Ball. The cast of "This Is Us," Sarah Paulson, "The Americans" star Keri Russell and her former "Felicity" showrunner, Star Wars director J.J. Abrams, were spotted enjoying this fun wine.

The theme of this year's gala dinner, "Golden Grandeur," celebrates the confluence luxury and sustainability: a message strongly supported by Ferrari Trento, which received organic certification for its vineyards earlier this year. Ferrari Trento also played a leading role at the Emmy Awards Giving Suite, a lounge that was launched to support the charity events promoted by the Television Academy where over two days celebrities were welcomed with a glass of Ferrari Brut Trentodoc.

For the first time in its 22 years of catering the exclusive Emmy Awards celebrations, Patina Catering partnered with L.A. Kitchen, a nonprofit organization that empowers, nourishes, and engages the community through reclaimed food. As part of the collaboration, the organization's team members had the opportunity to assist with food preparation at one of the largest celebrations in Hollywood.

In offering a culinary training program that L.A. Kitchen team members can parlay into a career in food service, the restaurant group demonstrates its support for the nonprofit organization's mission, which is built on the idea that neither food nor people should ever go to waste. In addition to reclaiming healthy, local food that would otherwise be discarded, the organization trains men and women who are unemployed, and provides healthy meals to fellow citizens.

Sarah Paulson, Susan Sarandon and Matteo Lunelli

Emmy Gifting Suites


Events producer Doris Bergman was back with the Eighth Annual Emmy Style Lounge. Local Fox 11 News Anchor Christine Devine was on hand to highlight "Wednesday's Child," a weekly segment that airs on KTTV Fox 11 News. "Wednesday's Child" focuses on placing children in the LA County foster care system in need of adoptive families. This year Bergman hosted Erianya Amie, a local teen who was able to experience VIP treatment.

Doris' lounge took place at Fig & Olive, where celebrities and Hollywood influencers were gifted a variety of fun items. Buywine.com toasted guests with an assortment from California wineries.

Celebrities on hand included: Kim Estes, 2017 Best Actor Short Form "Dicks" Primetime Emmy Winner, Patrika Darbo, 2016 Primetime Emmy Winner, Best Actress Short Form "Acting Dead", Primetime Emmy Nominees, Kevin "The Bull," Host of Emmy Nominated Series "American Ninja Warrior", Kelsey Scott "The Walking Dead", Mo Collins "'F' Is For Family," joined multiple Oscar nominee Bruce Dern, Genevieve Buechner "UnReal" and Shiva Negar "American Assassin."

There was unique jewelry offered by Jeanne Vixen, Twisted Silver and My Saint My Hero. Impressive tailoring by Art Lewin and fashion designers Sue Wong and Single, showcasing lovely dresses for the red carpet.

Guests enjoyed the Red Velvet cake from Food Network star Chef Elliott, cheesecake from Chef Turok, cocktails from Spa Girl and fantastic condiments from Burger Time. Hint Water debuted fruit-scented SPF 30 sunscreens. On the beauty side, there was DryBar, which gave beautiful waves to celebs that stopped by their booth, Curlifornia and Hair Swell, which showcased styling sprays and Reema Beauty, and Skinside, which presented their drinkable collagen product.

I loved meeting CJ's Pet Staycation, who put together the perfect care packages for dogs with an cute duffle bag filled with treat jars, bowls, blankets, toys. CJ runs a dog sitting service and plans to open a dog boarding facility soon. CJ also makes these amazing dog treats which my dogs absolutely loved.


Gifts


GBK and Pilot Pen hosted their Luxury Gifting Lounge to celebrate the Emmys. Emmy nominee attendees included Michael Kelly ("House of Cards,") Anthony Anderson ("Blackish), Leslie Jones ("Saturday Night Live,") and Tituss Burgess ("Kimmy Schmidt.")
Tituss Burgess at Pilot Pen's event

Pilot Pen and their "Modern Classics" theme inspired talent to write inspirational messages with the Vanishing Point retractable fountain pen, which features a 18-karat gold nib. Pilot Pen's space was adorned with colorful art, reminding all that "Words Are Powerful, Choose Your Words Wisely." This created a positive vibe alongside DJ Jesse from PRISM DJ's, and the perfect grand entrance for attendees, as they entered the lounge experience. Pilot Pen also inspired the celebrities to share their message, by offering them a $5,000 donation to their charity of choice.

Blooming, a high frequency facial massager with LED light therapy that stimulates collagen, wowed the attendees by showcasing how the product helps tighten the skin and reduce wrinkles. Guests headed to the Burke Williams corner to get massages and hear about their latest Custom Blend oil options, receiving a three-day Spa Pass.

Two Gypsea Souls customized vintage flannels for each celebrity with band images such as KISS, Fleetwood Mac, and Textere Silk had the attendees' nighttime attire covered, gifting silk men's and women's pajama sets. Vitamin infused Vita Cup coffee and refreshing cocktails from Ving Vodka were available, along with Cali'flour Foods, a favorite for many celebrities passing through, sampling delicious pizza recipes on their low-calorie cauliflower crusts.

Crown of Light had exquisite diamond pieces on display, where talent could try on their $750,000 diamond necklaces. Eva Gems and Jewels was also helping to tie red carpet looks together, showcasing bright gemstones and beautifully elegant designs that were available to wear for the evening. Chateau Boswell poured their Chardonnay, Cabernet and Pinot Noir from their vineyard on St. Helena, and Coravin gifted their wine preservation units to the nominees, which allows wine to be poured without ever corking the bottle.

Along with diamonds, chocolates and designer shoes, attendees also went home with practical new products, such as the iMaxAlarm, a personal security device which emits an ear deafening siren to help deter a potential attack, and draw the attention of the people around you to your emergency.

Celebrities and guests were also introduced to four charities on-site, including International Society of Human Unity, LA-based Animal Awareness animal rescue, Stop, Stand, Speak and Face Forward, who work with victims of physical abuse. Bullets4Peace also gifted their Hand-in Hand stainless steel bracelets, and made donations to the Hand-in Hand foundation to help with hurricane relief.


Celebrities


At the Celebrity Connected Emmy Luxury Gifting Suite, I loved seeing the lovely, custom created perfumes from Sue Phillips, who introduced her new House of Fragrance Menage 'a Trois Kits of Sparkling Citrus, Woodsy & Glamorous Floral. Actress Susan Sarandon visited Sue's booth and received a perfume atomizer filled with aromatic magic.

High Gorgeous offered its cannabis-based beauty products for cellulite, showers, body butters, and light body lotions that also calm arthritis and skin issues. WeWool, founded by Matt Syracusa, crafts comfortable socks for hiking and donates a pair to people in need for every pair sold. Syracusa ran a breakfast outreach ministry and realized how important a sturdy pair of socks could make a real difference during winter.

BuzzPop Cocktails rounded things out with refreshing adult popsicles that may soon make its way to better hotel pool decks, while NajaVibes, offered perfect totes and Ts for beach visits. Read more here.


Style


Hollywood is talking about celebrity hairstylist, Brandon Martinez, who recently wrote a book, "Sex, Hair & Billionaires. "Nothing like this story has been told since the movie, 'Shampoo.' My book, makes Warren Beatty's character look like he worked at Super Cuts!" he quipped.


"The book is a behind the scenes look into the lives of some of the most famous and powerful people in the world," said Martinez. "As a hairstylist, you are exposed to your clients' lives in a way that most people never get to experience. The salon chair is better than alcohol, because when the blow dryer turns on, the gossip flows! My clients are at the top of the food chain and what they allowed me to see had to be documented, as the book writes itself. This book goes into the details of the rich and famous, and gives the reader an idea of how the super successful live."

Martinez is an expert stylist. "Women are cutting their hair into short, pixie haircuts to show off their natural beauty. No more hiding behind lots of wavy hair. It's now all about short, sexy and sophisticated."

Martinez believes the secret behind celebrities' hair looking so good is biotin. "Biotin is the new buzz word in beauty. Taking Biotin increases Keratin growth for stronger, healthier hair."

His latest hair products: Biotin Hair Growth Vitamins and Biotin Shampoo and Conditioner from B. The Product Hair Care.


Fitness


Propel Co:Labs held a fitness festival in Hollywood, where attendees could sweat in celebrity workouts with Shay Mitchell (ABC Family's "Pretty Little Liars") and Scott Foley, (ABC's "Scandal"). The classes were led by their very own personal trainers, Harley Pasternak and Gunnar Peterson. A variety of workouts was offered all day, led by top fitness partners from around the country including: Prevail Boxing, Playlist Yoga, Yoga for Bad People and modelFIT, alongside the musical stylings of Big Boi, AlunaGeorge, Spencer Ludwig, Gabriel Garzon-Montano, Henry Fong, Milk N Cooks, Ashli Katz and Samantha Ronson.

Shay Mitchell at Fitness Festival LA

Peterson's tip: "If you are working out, always make sure you stay hydrated. it's very good to drink water with electrolytes, as the sodium replaces what is lost in sweat."


What's New on TV


Upcoming TV show to check out: TV One pulls back the curtain on Bobbi Kristina's life in a made-for-TV biopic called, Bobbi Kristina, set to air October 8.

Letter from the Editor

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Whether you are a loyal reader or this is the first issue you've ever seen, you are important to us. Years ago, when we first began promoting all the good things about Hollywood, we surveyed people who were visiting for the first time. That's when we discovered what people wanted was information about our town. They knew there was more to Hollywood than footprints in concrete and stars on sidewalks. Discover Hollywood was born.

With each quarterly issue, we follow our mission to inform visitors and residents about the unique culture and lore of Hollywood. Many years ago, there was a hit TV show with a tag line "There are a million stories in the Naked City." That's Hollywood. We have 100 years of stories with more being created each day. For those of us who live and work here, that is something we love about this fascinating place. For our visitors, it's what they know is here beneath the surface and sometimes inaccessible without a guide.

If I could, I'd take each of you by the hand to show you the Hollywood I know and love. Since that's not possible, we fill our pages with what to see and do and leave the stories up to my writers.

In this issue, you'll learn about the Woman's Club and the role it played in the early cultural life Hollywood written by noted author and now president of the club, Rosemary Lord. Celebrate a milestone with James Bartlett as he gives you a tour of the Hollywood Roosevelt Hotel still lively and going strong at 90. Each year something new is added to the scary and fun activities at Halloween. Annette Semerdjian takes us on a night tour of Paramount and other dark places that uniquely celebrate Halloween.

Discover Hollywood has been appearing in your mailbox four times a year since we expanded to a quarterly publication in 2006. We want to hear from you. Maybe you have a story you think our readers would enjoy; I love to get pitched. If our magazine enhanced your visit and gave you some insight into this town, I'd love to hear from you. If we've omitted a historic site or (perish the thought!) have our facts mixed up, let us know. We love you. You're the reason we do what we do. Let's get to know each other better. 

Oscar's Hollywood

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Two new hotels opened in Hollywood last month - the Kimpton Everly with 216 rooms and the Hampton Inn Hollywood with 112 rooms. With the Dream Hotel that opened in July, more than 500 rooms have been added to the Hollywood market this year. This is a 15-percent increase in the number of hotel rooms in Hollywood, a total of 3,926 rooms in 51 properties.

By my count, there are another 15 hotels proposed for Hollywood. I'm sure some people are asking if we can support them all. One important thing to remember is that the hotels do not all come online at once. It is a long way from a hotel being proposed to under construction and no guarantee that all the proposed venues will be built. The marketplace will be the final determinant of what gets built. The interest in building new hotels in Hollywood is a nice problem to have!

I recall back in 2000 when our chair-of-the board, Oscar Arslanian, and I trekked to Beverly Hills to meet with a representative of Hilton Hotels to convince them that they should come to Hollywood. It had been 25 years since a significant hotel had opened in Hollywood. Hilton turned us down, saying that the timing wasn't right for a hotel in Hollywood. We were ahead of our time.

It was a frustrating period. Hollywood was the top tourist draw in Los Angeles County, and yet no new hotels were coming to our community. They were locating in neighboring cities, which meant transient occupancy taxes (TOT) collected by those hotels were also going to other communities. TOT taxes can be an important component of a city's budget, so this was potentially a huge loss for Los Angeles. In L.A. during its last fiscal year, the city received $230.8-million in TOT taxes and another $27.5-million from short-term rental taxes. With Los Angeles facing a budget gap of over $200-million, finding new sources of revenue is key to maintaining services. Each new hotel that opens in the city helps fill the budget shortfall.

Aside from providing tax revenue to a city, there are numerous other benefits that new hotels bring to the community-one of which is jobs. The Dream Hotel and its associated restaurants employ about 800 people. The Everly Hotel has a staff of 125 and the Hampton Inn employs another 40. These are all new jobs, on sites where there were few jobs before. To be able to add this many jobs to our employment base is exciting. Yes, many of these jobs are entry level positions, but in this community with all income levels, we need both entry level and executive positions.

New hotels also add to the ambiance of a neighborhood. Infill development helps to activate the street. The areas around the Dream Hotel and Everly were previously "dead" as far as pedestrians. Now, you see people walking to and from these venues, which creates more interest but also makes the neighborhood safer. It is impressive to now see people walking in Hollywood, not just on the major thoroughfares, but also on the side streets. Hollywood is a model for the entire City on how to activate a neighborhood.

Hotels are also are great public gathering spaces for locals - with lobbies, restaurants, meeting rooms, and in some cases, rooftop terraces that overlook the Hollywood Hills and the L.A. skyline. The general manager of the Everly Hotel told me they are positioning their hotel as one designed to serve the local neighborhood. Since this new hotel lies in close proximity to many of our hillside neighborhoods, it only makes sense.

New hotels enrich a community in many ways. Downtown Hollywood is becoming an even more attractive urban neighborhood. The Hollywood hotel boom is a very good thing for our community and for the City as a whole.

This has been a special report on Oscar's Hollywood by Leron Gubler

Mice - Theatre Review

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By Terry Gloeggler


Kevin Comartin and Sharmila Devar
Photo: Youthana Yuos
"Mice," written by Schaefer Nelson might sound innocent, but this one-act play evokes the feeling you experience when alone in a dark room surrounded by low squeaks and the scratching of tiny clawed feet. This is not the happy land of childhood magic, this is the playground of a deranged cannibalistic serial killer, a Mouseman who makes preacher's wives disappear.

The mood of the piece is skillfully brought forward the instant the audience enters the theatre by the presence of two women in chains collapsed on the floor. Walking past their unmoving bodies to get to your seat has an almost frightening anticipation like they might jump up haunted house style and say "Boo!"

We are drawn into the story by Ayushi (Sharmila Devar), the minister's wife who was taken weeks ago and has survived as the Mouseman's pet little "Mouse." Grace (Heather Robinson) is the newest capture and not the first Ayushi has come in contact with since being kidnapped. We witness Grace's waking to the realization of her life being stolen by a man in a mouse costume and the women's unsuccessful attempt to escape, which ultimately leads to Grace being more than just "food."

The Mouseman (Kevin Comartin) stole the show from behind the toy-like plush head of his mouse suit. In a costume that without blood stains could easily appear at any kids party, he manages to shock and horrify without being outright disgusting. First his silent presence as he terrorizes his captives, then his jarring change of course to become the interviewer of Ayushi and Grace who he has dubbed, Mouse 1 and Mouse 2, drive the play forward. The job at the end of this interview? It can only be filled by one little mouse.
Heather Robinson
Photo: Youthana Yuos
The experience was reminiscent of sitting up close and personal with a less bloody "Saw." Heather Robinson's performance was raw and tortured without being overdrawn and perfectly balanced by Sharmila Devar's jaded and survivalist Ayushi. Together the three actors made time fly and the viewers uncomfortably squirm in their seats.

The director (Roderick Menzies) skillfully brought these characters and a few simple props together to bring out every drop of dramatic impact from the writer's dark world. "Mice" holds you in a state of suspense from start to finish with its compelling performances and creepy setting. Faith plays a big role in the decisions made by Ayushi, Grace and the Mouseman, but nothing with distractingly religious undertones. There are moments of dark humor that garnered laughter from the audience, but "Mice" is really the perfect show for horror fans this October.

Mice runs now through October 30 at the Ensemble Studio Theatre/LA in Atwater Village Theatre.

Architects of Denial - West Coast Premiere

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By Harrison Held

The premiere of the riveting new documentary "Architects of Denial" took place at the Tagylan Complex in Hollywood. The must-see film is executive produced by Dean Cain and Montel Williams as well as directed and produced by David Lee George.

"In all, it is estimated that up to a million and a half Armenians perished at the hands of Ottoman and Turkish military and paramilitary forces and through atrocities intentionally inflicted to eliminate the Armenian demographic presence in Turkey," said esteemed Armenian musician Rouben Paul Adalian for the Armenian National Institute. The poignant film is shocking, heartbreaking and graphic in revealing hidden facts of the genocide that have been swept under the rug. The film screens in Pasadena at Laemmle Theater's Playhouse on Colorado Boulevard and in Beverly Hills at the Music Hall on Wilshire Boulevard through Oct 12. It is also available through Amazon, iTunes, Fandango Now, Vudu and Cable VOD and definitely worth watching.

Almost five years in the making, "Architects of Denial" took the filmmaking team into the countries embroiled in this tragic history - Armenia, Turkey, Azerbaijan and Nagorno Karabakh. "Everyone in Armenia was cooperative," said Dean Cain. "They are very old. They've told their story many times; indeed, they live it in their heads everyday. They want the world to know what happened and though it was painful, they had no fear."

Genocide witness Yepraski Gevorgyan in Architects of Denial
"Since the end of World War II, every civilized nation on earth has adhered to the principle of 'never again' and that's why we made this film, " stated Executive Producer Montel Williams, "we know if we allow this genocide to be forgotten, we run the risk of repeating the evils of humanity's collective past."

Dean Cain also spoke about the recent controversy with the Americana in Glendale, a city that has one of the largest populations of Armenians in the diaspora, initially refusing to allow the film to be advertised there. "I think the Americana made a big mistake when they decided to call it something political. It wasn't political...it's human rights and it's historical fact." Cain then went on to say that the Americana, whose majority clientele are Armenian, eventually allowed them to advertise the film there, "I was stunned that they thought it was too political, but that's the same problem we're encountering in Washington DC."

Visit www.architectsofdenial.com for more information. The premiere was presented in conjunction with The Armenian Artsakh Fund, Hope for Children Today and The Armenian National Committee of America.

The film screens Oct 13-19 at Arena Cinelounge Sunset in Hollywood.

World Mental Health Day

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By Susan Hornik

Today is World Mental Health Day and stars like Lady Gaga and Lin-Manuel Miranda have already spoken out about the importance of spreading awareness about mental health. The Los Angeles Times reported this year that homelessness increased in LA County by 20 percent, and that most of those people suffer from mental illness. Hollywood is just one of the many places around the world where mental health needs to be addressed.

It is especially important for beauty brand, Philosophy to acknowledge World Mental Health Day, as the company would love to help spread the word of their initiatives. More than 450 million people worldwide suffer from mild to serious mental health issues such as post-traumatic stress, depression, anxiety, bipolar disorder, self-esteem and financial stress - all of which disproportionately affect women around the world. Recognizing that mental health issues are one of the greatest challenges women face, Philosophy created the Hope & Grace initiative, which pledges an unending commitment to support mental health and well-being. Previously, celebrity ambassadors such as Ellen Pompeo and Zelda Williams -- Robin Williams' daughter -- have endorsed the program.

Through inspired action, Philosophy encourages the practice of self-care, not only in soothing and replenishing the skin, but the mind and soul as well. The company would love for Discover Hollywood readers to take the time out of your day on World Mental Health Day with us to restore your mind with these tips from Gabrielle Bernstein, best-selling author, meditation expert and speaker.

Begin each day positively.

Think of yourself as a lighthouse: It's OK to feel your feelings, good or bad (in fact, it's much better than disassociating from them), but use the lighthouse idea to rise above the trauma in your life and allow it to flow freely around you.

Move.

The human body needs to move, and movement is imperative for the lymphatic system to work properly and to oxygenate your cells. Bounce, jump, dance, or do whatever it takes to move the tension out of your body and get your blood flowing.

Recently, Philosophy and the Hope & Grace initiative for women's mental health hosted a discussion focused on reframing well being as a key to resilience and change. Monica Seles, 9-time Grand Slam singles tennis champion; former World No. 1; Wellness expert Stephanie Covington, PhD., Co-Director of the Center for Gender & Justice; Kavita Beri, MD, Fellow, Regenerative Cosmetics at TRI Princeton; and Marie-Pierre Stark-Flora, Global SVP, philosophy at Coty, Inc. spoke at the Women's Forum for the Economy and Society in Paris, France.The panel discussed ways to amplify the conversation around women's mental health.

Philosophy becomes the first company to place a deep focus on this important cause and the first major beauty company to make a brand-wide commitment to dedicate one percent of its sales toward the cause. In addition, they will award multiple financial grants each year to local organizations working to empower women through promotion of mental health and well-being, and the prevention and treatment of related issues.

The majority of funding from the Hope & Grace initiative will support community-based programs doing the most good in mental health and well-being.The funds will be distributed by an independent nonprofit organization, with guidance from the world's leading practitioners and experts in mental health and well-being. With an average grant size of $25,000-$75,000, the fund will support hundreds of organizations each year and touch thousands of lives.

The priority focus for the Hope & Grace fund is to support community based mental health efforts working to overcome barriers to and stigma around seeking treatment for mental health issues, providing access to mental health treatment and fostering support networks for women with mental illness.

The funds are administered by the new venture fund, a 501(c)(3) public charity dedicated to supporting innovative and effective public interest projects. They accept one proposal per group, per fiscal year (Jul 1-Jun 31). you must be a registered 501(c) public charity to apply.

To apply, please contact hopeandgracefund@newventurefund.org.

The 39 Steps - Theatre Review

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By Bill Garry

Townsend Coleman, Kevin Shewey, Lauren Thompson and Carly Lopez
An innocent man is on the run from the police for the murder of a mysterious woman. Who are those men standing under the street lamp just outside his window? Who are those eccentric lingerie salesmen in the train compartment? Who are those frisky farmers? Who is the professor and his go-go-dancers? Who are those kindly Scottish innkeepers?

I'm not telling you. You'll have to see for yourself at the Actor's Co-Op's staging of "The 39 Steps," a London and Broadway comedy hit from 2008, still performed all over the world. Patrick Barlow, the show's writer, mashes up dialogue, plot and themes from Hitchcock movies of the 1930s ("39 Steps,""North By Northwest,""Strangers on a Train,""Rear Window,""Psycho" and "Vertigo") with more than just a dash of manic Monty Python. That's the fun, and also the limitation, of the show; if you're not a rabid fan of those movies and bizarre British humor, you might not fully enjoy the multi-textured tomfoolery going on right in front of your eyes.

But if you are grounded in silly walks and melodramatic misdirection, you'll be mesmerized by the clever staging and clowning performed by a cast of 4 (only 4!) talented actors. And actresses. And actresses playing actors. And actors playing actresses. And actors and actresses playing animals.

The show is one big chase scene, with the plot taking a back seat to the quick-change tomfoolery. (I still don't understand what the "39 Steps" are.)

Director Kevin Chesley, working with Actors Co-op's little black box theater, puts the action in your lap -- sometimes literally. He gets comic mileage out of the cast's double, triple, and quadruple-duty as stage hands, prop holders, props and background characters.

Kevin Shewey plays the hapless hero, Richard Hannay, a proper English bachelor. As the only actor who stays put in one character, he grounds the show is his believable portrayal of a man with perfect British manners -- and escalating anxiety.

Lauren Thompson plays a number of femme fatales, the conniving, innocent, showy, or demure women that our hero comes across in his quest to clear his name. Throughout the how, Ms. Thompson seduces us, repulses us and cracks us up.

All the other characters (and there are too many to count) are played by an actor and actress billed simply as "Clowns."

Townsend Coleman and Carly Lopez
Townsend Coleman, of the male gender, is Clown 1. Mr. Coleman plays a few male parts plus all of the female secondary characters. He is a seasoned middle-aged performer; when he puts on a shawl and plays a woman, the incongruity between gravitas and gams is hysterical. (I told you Monty Python was an influence here.) Carly Lopez, of the female gender, is Clown 2. Ms. Lopez is a pixie, short of stature, who plays only male secondary characters. She steals the show with her parodies of intellectual professors, concerned lawmen and a lusty, doddering old Scottish innkeeper, among others.

Actors Co-Op is the resident theatre company of the First Presbyterian Church of Hollywood. As befits such a well-run, well-financed organization, every "below the line" is first rate. Stephen Gifford's scenic design is "veddy British," clubby and organized. Andrew Schmedake's lighting, Warren Davis' sound and Lori Berg's prop design are all beautifully engineered to both support the story and add a few surprises of their own. Vicki Conrad, who crafted the costumes, hair and makeup, has managed to dress each character -- no matter how long or short their stage time, with comic flair.

Last but not least, I must give the stage crew a hand. Manager Derek R. Copenhaver and assistant Thien Nguyen keep this tightly paced, tightly-packed show fast-moving and funny. No doubt they need everyone to "Watch your step!"

"The 39 Steps" plays through Oct 29 at Actor's Co-op.

Hello Stranger - Theatre Review

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By Joan Alperin

"Hello Stranger" written by Sharon Yablon and directed by Sarah Figoten Wilson is one of the most original, engrossing plays I've seen in a long time.

When the play opens we meet Mike (the outstanding Trevor H. Olsen) a man who has returned to his hometown of Fontana, California in the Inland Empire for his 30th high school reunion. One he did not enjoy. Mike can't wait to get back to Los Angeles where he now resides. Only problem is, he's just totaled his car and with no way to leave, Mike winds up wandering around the familiar locations of his childhood.

Along the way he encounters several mysterious people that set him on a journey through his past, dreams and memories against the back drop of the Day of the Dead festival leading him to uncover dark secrets about the town, his own childhood and his deceased mother.

Mike first meets a young girl named Audrey (Aliyah Conley) who is sitting on a swing in the backyard of the childhood house. His conversation with her is cut short when her mother, Carla (Reamy Hall) comes running outside yelling at him to leave. Of course, he doesn't. Instead they talk and realize they have a great deal in common.

Soon other strange characters appear to Mike...his dead mother, Mandy (Elinor Gunn), a very funny, an animated Hispanic man named Jesus (the fantastic Alexis DeLaRosa) a man named Carpy (the excellent Christopher Neiman) and Audrey (Maren O'Sullivan), who seems to be covering up a tragedy that has affected Mike his whole life.

This one act play is not one to miss. Everything about it, the writing, the acting, the story is just perfect and I personally did not want Mike's journey to end.

"Hello Stranger" plays through November 18 at Theatre of Note.

Listen to behind-the-scenes interviews below:

Br'er Cotton - Theatre Review

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By Harrison Held


Emmanline Jacott, Dane Oliver, Jasmine Wright and Omete Anassi
"Br'er Cotton," written by Tearrance Arvelle Chrisholm is a timely, relevant and ambitious dramatic production directed by Gregg T. Daniel that's playing now at The Zephyr Theatre on Melrose. This is not a pretty story -- this is a truly tragic and heartbreaking tale about the dysfunctional Witherspoon family in Lynchburg, Virginia living in a world where racism and squashed dreams are all too common.

The show is as current as today's headlines. Yvonne Huff Lee is very likable as repressed, hard-working single-mother Nadine desperate to keep her family stable and above ground. Omette Anassi is terrific as her 14-year-old terribly misguided violent and militant son Ruffrino. Mellow grandpa Matthew is well played by Christopher Carrington. Ruffrino butts heads with everyone in sight and is on a truly destructive path fueled by his unhappiness and hatred. His father is serving a long-term sentence and Nadine is desperate to get him on the right path. Matthew identifies with the teachings of Martin Luther King Jr., while rebellious, defiant Ruffrino identifies with Malcolm X. They're polar opposites.

Ruffrino occupies his free time online playing violent video games where he has developed a friendship with an anonymous friend called Caged_Bird99, touchingly played by Emmaline Jacott. An earnest well-meaning white officer, played very well by Shawn Lee, who reaches out to the forlorn Nadine.

Very cool avatar figures are well played by Dane Oliver and Jasmine Wright. The rickety Witherspoon house is built on the cotton fields of past generations and every so often the house shudders as it sinks into the former cotton fields on which it is built, just as the Witherspoon family sinks too. The slaves of American past shed light on the history of the past generations of Lynchburg and further add depth to an already compelling production.

More information here. "Br'er Cotton" plays through October 29 at The Zephyr Theatre.

An Evening with Neile Adams

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By Harrison Held

A delightful evening with stylish singer/dynamo Neile Adams at the beautiful Catalina Bar & Grill Jazz Club on Sunset directed by Ted Sprague. The engaging, warm and very personable Ms. Adams and former Mrs. Steve McQueen was fun, feisty and fabulous with a great sense of humor.

It was fun to see Ms. Adams live for the first time, she's a wonderful entertainer who I remember seeing many times on television growing up and more recently on YouTube. Her very entertaining show was jam packed with great tunes starting with "On A Clear Day You Can See Forever" followed by "Child In Me,""Nothing" (so funny), "Is That All There Is/When October Goes" and "Wherever He Aint/Time Heals Everything."

A memorable 40s Broadway melody, which was very humorous and well delivered. Ms. Adams' Spanish selection of "Ayer/Con Los Anos Que Me Quedon" was terrific followed by the crowd pleaser "How Lucky Can You Get" from the movie "Funny Lady." Next up were other audience favorites later topped off by Charles Chaplin's sweet and sentimental "Smile and I'm Old Fashioned." Neile Adams' show was a real treat. She's the epitome of classic Hollywood glamor and knows how to captivate and charm her audience.

The talented musicians in her band were Chris Connor on bass, Sam Webster on drums and Dan Ferguson on guitar. Great to see classic Hollywood stars Richard Benjamin and Paula Prentiss in the audience too -- a good time was held by all!

Out & About - October

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By Susan Hornik


Film


Next month, Discover Hollywood readers are invited to hear the uplifting story behind the documentary "Mighty Ground," which follows the journey of a gifted songwriter named Ronald Troy Collins, a homeless man living on the streets of Skid Row. Collins is a living example of redemption and what it means to transform one's self from rock bottom.

HomeAid America, a leading national non-profit provider of housing for today's homeless, is hosting a benefit screening, with a performance by Collins on November 3rd. The event kicks off the HomeAid Tour, where the film travels to several U.S. cities from San Diego to Hawaii, raising money for HomeAid Chapters around the country.

"This film is about humanizing homelessness and that one person can make a change, but even more than that it's about love and transformation," said executive producer, Aimee Schoof. "I was outside a club with music supervisor William Dane, and Ronald came over and asked if he could sing for us. After 30 min of singing and talking, we made a commitment to help."


Mary Elizabeth Ellis and Fran Kranz
Former "Law and Order" and "Dogma' frontman turned filmmaker Phil Allocco makes his feature film debut this month with the theatrical and digital release of "The Truth About Lies," which he wrote, produced and directed. The film opens in over 20 cities and digitally across North America.

The film boasts an impressive cast: Fran Kranz ("The Dark Tower,""The Cabin in the Woods"); Odette Annable ("Cloverfield,""Supergirl"); Colleen Camp ("American Hustle"); Miles Fisher ("Superhero Movie"); Chris Diamantopolous ("Wedding Daze,""Silicon Valley") and Mary Elizabeth Ellis ("It's Always Sunny in Philadelphia"). Producers include Isen Robbins of Intrinsic Value Films ("Marjorie Prime") and Steve Carr of Blue Fox ("Daddy Day Care"). Adam Horovitz, best known as "Ad-Rock" from the pioneering hip hop group the Beastie Boys, composed the music.

"I was a recording artist with MCA and Def Jam for the first 10 years of my professional life," said Alloco. "I was always passionate about film and always wanted to get involved so I started creating short films, which won awards. That was very encouraging and led me to be one of the short-listed directors picked by Steven Spielberg from a world-wide search of over 12,000 directors for his US TV series, "On the Lot" for FOX TV, produced by Spielberg and Mark Burnett."

He added: "I love the collaborative nature of filmmaking. To see a film that only lived in your head come to life is an amazing process. Also working with Adam Horovitz was great. He is such a talented and humble guy and we were very fortunate to have him."

Aloco said the movie is autobiographical. "Like Gilby, I lost my career, my apartment burned down and I moved in with my girlfriend, who ended up leaving me for someone else. None of these things seemed funny to me at the time. But looking back while I was writing, they became hysterical. Almost every scene is based on some real event in my life."



Music



International contemporary violinist Assia Ahhatt brought the house down in Hollywood, when she performed at an exclusive showcase event in celebration of the worldwide release of "ALL-IN." Ahhatt partnered with legendary producer and creative genius Humberto Gatica, known for his work with Cher, Celine Dion, Josh Groban, Michael Bublé, Andrea Bocelli, Julio Iglesias, Tina Turner, Mariah Carey, Michael Jackson and Barbra Streisand, in a unique musical collaboration.

Actress/producer Kimmarie Johnson, Alice Amter ("Big Bang Theory"), E! founder Larry Namer and Sophie Gayot (Gayot Guides) were among the many guests.

Ahhatt, who performed live five songs from "ALL-IN," was warmly welcomed by the packed house at the by-invitation only event, receiving wonderful reviews and feedback on her work.

"My repertoire is very diverse; I took violin lessons, playing classical music when I was five years old," she said. "Many of my songs from this time were beautiful and difficult creations, which garnered me awards and diplomas from international competitions. When I started in show business, I began to play classical music in modern arrangements."

Ahhatt has a lot of original music and songs, which she writes on her own, or were written for her by other composers.



"When I listened to these hits, loved by millions of people all over the world, I thought that it could be wonderful to play some of them, using the violin in order to breathe new life into this music. Much of these songs have become modern classics. I want to inspire love, happiness and joy in people who attend my performances. I want to inspire children to take violin classes, and adults to be more kind and happy. It's my mission in this world."

"ALL-IN" features 13 new arrangements and covers of some of the world's most loved iconic songs. Songs include "Viva la Vida" (Coldplay), "S.O.S." (ABBA), "Tears in Heaven" (Eric Clapton), Unbreak My Heart (Toni Braxton), "Kiss from a Rose" (Seal), "Earth Song" (Michael Jackson), "Moves Like Jagger" (Maroon 5), "Love Runs Out" (One Republic), "My Heart Will Go On" (Celine Dion), Latin standard "Quizás, Quizás Quizás,""Superstition" (Stevie Wonder), "Somebody to Love" (Queen) and "Hallelujah" (Leonard Cohen).

"ALL-IN" is available now on iTunes, Amazon, Spotify and Google Play.



Actor Peter Facinelli hosts OIC benefit

Events

The Orthopedic Institute for Children (OIC) benefit pre-dinner took place at newly launched restaurant, Les Coulisses. Special guest, actor Peter Facinelli served as the evening's host. This event was a pre-dinner in support of the upcoming OIC "Swing for Kids Golf Classic" hosted by Craig T. Nelson, taking place next month.

Swing for Kids Golf Tournament is an annual fundraising event known for its unique on-course features, including tequila tastings, hand-rolled cigar bars, international cuisine pop-up tastings, and many other surprises. The tournament will kick off on Monday, November 6th at Palos Verdes Golf Club, Palos Verdes, CA. Funds raised from the event will benefit the OIC. All proceeds will be used towards the building of a new Physical Therapy Center that will help kids heal faster, better and give parents the tools to aid in their child's rehabilitation.


Gifts


It's fall and many are cleaning and organizing their homes. Boxy Girl®, a unique box which brings elegance to organization with high-end acrylic beauty organizers, might be the perfect item to purchase to spruce things up. The custom Lucite® framework provides the vanity display with uniquely stackable drawers, and an option with or without a lid. Celebrities like Kylie Jenner and "Real Housewives of Orange County" star Tamra Judge are fans of the brand.
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