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Collected Stories - Theatre Review

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By Bill Garry


Susan Fisher and Gretchen Goode
Photo by ShoWorks Entertainment
New York in the 1990s is tiny walk-up apartments with broken intercoms. Korean markets. High-brow programs at the 92nd Street Y. Woody, Mia and Soon-Yi. And writers both competing with, and kowtowing to, each other in order to get ahead.

Playwright Donald Margulies brings this world to life in his 1997 hit, "Collected Stories." That the show has a long history of success in both New York and Los Angeles makes perfect sense; both cities are writers' towns, and the topics engaged in the show -- expectations, fame, honor and betrayal -- are catnip for writers. This new production by ShoWorks Entertainment at the Complex Theater continues the success with Mr. Margulies' masterful writing performed by two compelling actresses.

Susan Fisher plays Ruth, a respected teacher and short story writer who cautiously lets a talented, yet immature, student into her professional and personal life. Ms. Fisher gives a carefully calibrated performance; as Ruth attempts to control her student, we begin to realize that it is Ruth's struggle to control herself that we are witnessing.

Gretchen Goode is Lisa, the insecure young woman who unconsciously barrels along, annoying and infuriating Ruth. Ms. Goode is the polar opposite of Ruth -- open and 
helpful where Ruth is closed and self-contained. The play only spans six years, but Ms. Goode takes Lisa on an accelerated journey from wild thing to mature writer and, ultimately, caretaker.

Little by little, the two characters develop a bond of respect and friendship. It isn't easy, as both talk at each other and rarely listen. The exception: when Ruth shares her life as a young woman when she threw herself into the literary scene (and the bed of a famous poet).

The plot then turns. Lisa gets published, Ruth turns frail and dependency switches. Lisa's attempt to pay tribute to Ruth backfires. The lesson: the rules of writing don't always work in real life.

Christine Dunford's direction -- and the tiny Dorie Theater -- makes us feel like we are eavesdropping on Ruth and Lisa's intimate conversations. Design is simple, supportive, and authentic, allowing the actors, and the audience, to fall in love with the literary life as New Yorkers and Los Angelenos do.

"Collected Stories"
plays through November 5 at Dorie Theater.

Channelling the King - Q&A with Rick Pasqualone

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By Harrison Held


Rick Pasqualone as Elvis in "Channelling the King"
Photo by Bobby Bank
Harrison Held: Tell us about "Channeling the King."
Rick Pasqualone: This is a one-man show about the relationship between Jessie Haldeman, a nebbishy insurance salesman, and Elvis Presley. Jessie's struggling insurance business gets a sudden boost when he begins to channel The King of Rock n' Roll during his seminars. As the show unfolds, conflicts arise, secrets are revealed and Elvis takes the stage!

HH: Your show is specifically billed as a play with music and not a tribute show. How is it different from the other Elvis Tribute shows?
RP: It's not just about putting on a jumpsuit and singing some Elvis songs. This is a two-character play with moments of real drama and humor that explores two souls who are essentially searching for the same truth. We tried to incorporate the music into the story.

HH: Tell me about your approach to the character of Elvis
RP: I watched hours of footage, listened to interviews and concerts and tried to focus on a few things. First, he was really funny. Never took himself too seriously. Also, he had this public life as the biggest star in the world that was in sharp contrast to his humble upbringings and desire to be a good father, husband, and son. He was human and had flaws like we all do.

HH: As an actor, what is the draw for you to perform in this role?
RP: It's a huge challenge to not only honor his artistry but to make it believable. I tried to imagine what it would be like for Elvis to be back in front of an audience after almost 40 years. I knew if it ever became a caricature, the show would be over. Jessie is fun to play because he's a total mess but has an inner strength that propels the story forward.

HH: What is it like to do one-man show that often incorporates some improv and singing (with respect to audience response)?
RP: The audience interaction is my favorite part of the show. Their faces light up when I joke with them or hand them a scarf during a song. We wanted it to be an intimate experience. Elvis was a powerful singer so I also did some intense vocal training to build up my stamina.

HH: Why do you enjoy it? What do you get out of it?
RP: C'mon who doesn't want to be a king for a day! Plus it's a great aerobic workout.

HH: What feeling do you hope audience members walk away with at the end of a show?
RP: I hope people care about Jessie's journey as much as seeing Elvis do his thing!

HH: Are there any plans to take this to New York or any other city?
RP: Absolutely! There are Elvis fans everywhere and this is a story that a lot of people will relate to.

"Channeling the King" play November 17-18 at The Hudson Mainstage Theatre.

The Man Who Came to Dinner - Theatre Review

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By Terry Gloeggler


Natalie Hope MacMillan, Jean Kauffman, Karen Furno, Kevin Michael Moran, Greg Martin, Lila Hood, Deborah Marlowe, Irwin Moskowitz and Lawrence Novikoff
Photo: John Dlugolecki

If you are looking for theatre to enjoy this Holiday Season, then look no further than the Actors Co-op production of "The Man Who Came to Dinner" directed by Linda Kerns. This Christmas set comedy by Moss Hart and George S. Kaufman has a quaint old time charm and humor that had the audience laughing. The large ensemble cast puts on quite a production.

'Tis the season for visits from friends and family, which is the premise of the play... only this time the guest never leaves and is a cantankerous terror to live with! Set in the 1930s, "The Man Who Came to Dinner" is the story of radio personality Sheridan Whiteside (played by the dignified Greg Martin) and his convalescence at the home of Mr. and Mrs. Stanley after he falls and injures his hip on their steps. The shenanigans that follow Mr. Whiteside's taking over the Stanley's home and his biting wit are the centerpiece of this tale.

The heart of the story belongs to Whiteside's assistant Maggie (played by the stunning Natalie Hope MacMillan). A good laugh is great, but it is the moving performance of Ms. MacMillan that carries the viewer as we watch her romance with local newspaper man Bert Jefferson (played by the engaging Connor Sullivan). Their storyline was a highlight in an otherwise emotionally distant comedy of errors. Her boss's efforts to keep Maggie in his employ create much of the humor while we wait to see if love will prevail.

Some of the stand out performances came in the form of Mr. Whiteside's eccentric friends that dropped in on the household. Wenzel Jones put in a stellar cameo as Beverly Carlton garnering loads of laughter from the audience. Actress Lorraine was portrayed by Catherine Urbanek who brought the character to life and truly makes you believe that blondes do have more fun. Every time she took to the stage she drew every eye. Then there was the sweetly mysterious Harriet Stanley, sister to Mr. Whiteside's reluctant host, played by Brenda Ballard whose performance hit just the right note.

From penguins to cockroaches, and many missteps in between, "The Man Who Came to Dinner" will definitely entertain. The whole cast comes together to make a holiday treat that any family can enjoy. Be prepared, the play runs about two and a half hours, but all the laughter keeps the pace moving.

Located at the Actors Co-op David Schall Theater in Hollywood "The Man Who Came to Dinner" runs through December 17.

The Radiant - Theatre Review

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By Harrison Held

"The Radiant" is directed by talented Australian director/actress Jane Edwina Seymour. The intriguing new play about Nobel Prize winner Marie Curie was written by Shirley Lauro and is now playing at a cool venue called The Other Space at The Actors Company in Hollywood.

Polish born scientist Marie Curie was well played by Nina Sallinen. Curie was known to go against the trends of her era to follow her passion for science, but unknown to many were the happenings in her personal life outside of her extraordinary achievements in the field of science. Per director Jane Edwina Seymour, the story is factual except for the fictional character of her young confidante Katarina, well-played by Andrea Flowers.

John Moschitta Jr. energetically plays several colorful characters and Conrad Cecil is great at rounding out the cast as Curie's assistant and secret married lover. The play reveals many surprising things about the struggles, the enterprising and pioneering Marie Curie endured to survive -- she was a very gutsy and driven woman, and she had to be in her male-dominated field. I quite enjoyed the spacious set designed by Karen Ipock where the different poignant chapters of Curie's life play out and Taylor Sandling's costumes are first rate in this absorbing historical trip to the past.

The former Marie Skiodowska was a gifted and driven student. She came to Paris to further her scientific studies at the famous Sorbonne after leaving her native Poland where she experienced broad cultural repression as a result of years of Russian tyranny. Her work, along with her beloved husband Pierre Curie would usher in a brave new world known as the Atomic Age.

The play begins in Paris in 1906 after Curie lost her husband following a tragic accident. She is left with two small children to raise and is destitute but her tenacious drive and ambition keep her dreams alive. "The Radiant" will play until November 19th and is produced by RPW and Stories About Humans with consulting producers Theatre Planners. For reservations call 323 960 7712 or visit www.Plays411.com/radiant.

Delearious - Theatre Review

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By Terry Gloeggler


Ensemble
Photo by Darrett Sanders
Musical lovers looking for a laugh, Shakespeare enthusiasts who enjoy a tale about the Bard, or just theatre goers searching out some light fun should not miss "Delearious" (stylized as "deLEARious") by Ron West and composer Phil Swann. The Open Fist Theatre Company has a first rate cast bringing this production to life under the direction of the musical's writer, Ron West. The audience is in for a good laugh as tragedy becomes comedy through the lens of a present day creative duo.

If you were wondering what the Lear in "Delearious" is for, it refers to "King Lear" by William Shakespeare, which is the story at the root of this musical. There has long been speculation around the life of one of our greatest writers. Did he write his own plays? Was King James I's sponsorship an influence on his work? Did Shakespeare take part in writing the King James Bible? If you want to know what that process might have looked like, you can follow along with the imaginings of present day writer in the story and in real life Ron West and composer Phyllis played by Jan Roper.

They are writing about Shakespeare as he is writing about King Lear. A play within a play within a play... what could be confusing about that? There are definitely moments of confusion as actors go back and forth between characters within the three story lines. You might want to read a short synopsis of King Lear before the theater lights dim. Yet even if you are unfamiliar with the tragedy, "Delearious" hits all the high points to engage the viewer.

The character that stands out, Shakespeare, as played by Scott Mosenson, is a stand out performance. Mosenson is cast perfectly and his talent moves every scene he is in forward. Some of the other performances, like the slapstick comedy of Micah Watterson in multiple roles and the classy Rachel Addington as Lear's daughter Regan, pull the musical together. There are some very catchy tunes, the number "Evil Love" especially had the audience smiling along and tapping their toes.

Song, dance and a good laugh all on one stage, "Delearious" should definitely be on your radar this holiday season. Have a night out and enjoy this new production from the Open Fist Theatre Company at the Atwater Village Theatre in Los Angeles playing now through December 16.

Out & About - November

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By Susan Hornik


Donald Sutherland

AFI Film Festival

The fall is always a busy time for journalists with so many events to attend! I went to several screenings at Hollywood's AFI Film Festival and interviewed celebrities like Helen Mirren, Donald Sutherland and Peter Fonda. "As the 31st edition of AFI FEST comes to a close, this year's awards shine a light on the American independent, auteur and foreign cinema that resonated with our audiences and jurors," said Jacqueline Lyanga, AFI FEST Director, in an official statement. "Audience awards help bring film lovers together, while building momentum for the filmmakers in this year's festival."





Film


Laura E. Davis and Jessica Kaye
At the Los Angeles premiere for the dysfunctional family drama, "Inheritance," I spoke to two fearless writer/directors, Jessica Kaye and Laura Davis. The story, a dark noir, features a gnarly triangle of characters: Mara (played by Kaye), her boyfriend Aaron (Daniel Ahearn), and her estranged brother Ben (Mark Webber).

"Daniel, Laura and I worked collaboratively to organically come up with a story that was inspired by topics and relationships that interested us," said Kaye. "We drew from our personal lives as well as interests and crafted the bare bones of the story. Laura and I then spent the next year working diligently to write the script! We wrote the characters inspired by the actors we knew were playing the parts."

As to what inspires her, Kaye said: "I am fascinated by what makes people behave the way they do to each other. What are the nuances and details of relationships. How do people become who they are? What makes some people brave and others cowardly, what makes some people able to find love easily and others struggle for companionship? Etc."

Davis added: "I feel we both had a strong awareness that we were diving into complicated subject matter. To me, the more we could identify with Mara and really be inside her struggle, the more I felt viewers would go on this ride with us. We didn't want to shy away from the material because it was dark and complex; that fact was a bigger invitation to approach the story with rigor and honesty and empathy. "

"The door is getting cracked open a tiny bit wider for women, people of color, and others who have historically not been invited to the director's chair. I think it's important for us to kick the door open wider (and ultimately to knock it down entirely) so that we can have writers, directors, performers, etc., from numerous points of view as well as stories that represent all of us. With each new story that challenges hegemonic representation, we have the opportunity to see and envision the world differently. "



American Music Awards Awards



Patti Stanger at the GBK Lounge
GBK hosted their Luxury Gifting Lounge to celebrate the Nominees and Presenters for the 2017 American Music Awards and to give back to the hurricane survivors in Hollywood on Saturday. In addition to Nominees and Presenters, some of the attendees included Randy Jackson, Bridgette Neilsen, Emma Kenney, Alan Floyd, Joey Lawrence, Khandi Alexander, Marcus Scribner, Sofia Milos and Ta'Rhonda Jones.

Custom Comfort Mattress welcomed nominees with an impressive display, and one lucky celebrity walked away with a package that includes an 8' x 8' all-natural mattress, handcrafted specially for them in their Southern California factory. The gift includes personal fitting to the correct mattress for their body type and sleeping preference, personalized details including size, embroidery and feel, in-home consultation if necessary to determine measurements and correct fitting of space, and white glove delivery service and installation management, all valued at over $35k! Also there was Plus Products, who creates hand-crafted, cannabis-infused products. All of their products are healthy, discreet, disposable and conveniently packaged. Plus uses a unique, patent-pending process to create their edibles, and the talent was going wild over their attractive branding and the assortment of gummie flavors, including sour watermelon sativa-hybrid, blackberry lemon indica and pineapple coconut.

Body Systems Wellness, an Integrative Medicine Clinic, was on-site performing 20-minute IV Vitamin Sessions that deliver Vitamins, Minerals, and Electrolytes directly into the bloodstream so that the ingredients are 100 percent absorbable into the cells. The benefits include increase in energy, hydration and overall sense of vitality, which left the celebrities glowing and red carpet ready.

LMK Art caught the eye of many attendees with their Golden Shoes and original artwork, and Wear Your Music was a huge hit, offering bracelets made from guitar strings. Wear Your Music was also offering to cover a portion of any purchase made towards a Famous Musician Bracelet (featuring strings from such artists as Jack Johnson, Adam Levine, Ben Harper and Bob Weir) where 100 percent of all proceeds goes to the Artist's charity of choice. Erik the Artist was also showcasing original art, and allowing the talent to see what it was like to paint on the medium of plexiglass. Erik instructed the celebrities how to create two artworks that will be combined in his unique way to create one masterpiece, which will be auctioned off for charity benefiting hurricane survivors.


Gifts


At the W Hotel in Hollywood, Celebrity Connected held their pre-AMA luxury gifting suite, which featured some great businesses in technology, home decor, beauty, health, food/beverage, the latest in fashion/apparel industries , and many new and unique products. I loved meeting Second Skin, the makers of designer athletic gear , and fashionable clothing- like pants and hoodies; and Alexa Varano, the bright entrepreneur of Third Wolf, who make unique and original hand-painted clothing, where all designs are hand drawn and all stencils are hand cut.

Other highlights of the suite included handcrafted Organic Hand salves from Wise Hands, which help to eliminate pain in your joints and inflammation; Elixir Cosmetics and beautiful necklaces from Nikolina Designs.





Style


I caught up with Marco Pelusi, celebrity hairstylist at his fantastic salon. He offered these fantastic tips:

1. Find time for deep conditioning treatments during the holiday months - every week or every other week. You can use your regular in-shower conditioner after shampooing - simply leave the conditioner on your hair, wrap a hot damp towel around your head, sit for 30 minutes, and rinse out. The difference in your hair will be miraculous during those cold months.

2. Try adding some red and/or some low-lighting to your hair during the holidays.. If you and your stylist agree that red will look good, try adding some red to your color during the cooler winter months. If you're blonde or if your hair looks faded - consider adding some dimensional low-lighting to deepen and enrich the color during the cooler temps.

3. Ask your stylist to do a gloss or a shine treatment when you're next at the salon. Your hair can often dry out and look dull, lifeless, and frizzy during the holidays; the added shine treatment will boost the condition of your hair and make it look healthy for all your holiday parties.

4. Use a gentle hairspray. Stay away from super firm-hold hairsprays as these products can actually build up in your hair, dry out your hair, make it difficult for haircolor to last, and the list goes on. Become comfortable with more of a softer hold


Food



If you want really authentic Mexican food, look no further than Frida Mexican Cuisine restaurants. During a media trip, I toured each of their locations, and loved the quality and the texture of the food.

"My inspiration in creating the menu comes from missing the traditional flavors of Mexico City and different regions. As you know, Mexico has so many regions that create many different types of Mexican meals," said owner Vicente Del Rio. "Mexican food is now an Intangible Cultural Heritage of Humanity by the Unesco, so it's truly important to continue being traditional and respectful about our recipes". Del Rio's favorite dishes include the Arrachera Nortena, Mole Poblano and the Camarones al Ajillo.



Tourism



Recently, I was invited to Princess Cruises' collaboration with Chef Angelo Auriana, for Sabatini's Italian Trattoria restaurant. Celebrating the cruise line's Italian heritage, specialty restaurant Sabatini's Italian Trattoria has been delighting millions of Princess Cruises guests with traditional and innovative cuisine since it first debuted aboard Grand Princess in 1998. Nearly 20 years later, Princess Cruises unveiled a fleetwide enhancement to its signature restaurant in collaboration with acclaimed Italian Chef Angelo Auriana. Introducing a fresh new design and menu featuring antipasti and handmade pasta dishes from Chef Auriana, as well as family recipes curated from Italian Princess executive chefs across the fleet, the transformed Sabatini's Italian Trattoria debuted aboard Caribbean Princess following a multi-million-dollar drydock.


Rotterdam - Theatre Review

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By Annette Semerdjian


Ashley Romans and Miranda Wynne
The UK hit "Rotterdam" makes its West Coast premiere at Skylight Theatre for night of hilarity and fun as well as food for thought. What makes this production, produced by Gary Grossman, unique, aside from tackling themes that are still considered taboo, is that it engages the audience to take the conversation beyond the play. Not only did the production address the journey toward identity in gender and sexuality respectively, but Skylight Theatre also included a talk after the show with transgender activists. Members of the audience not only got a great show but also got to talk with trans folk about specific struggles of coming out and living as trans. Playwright Joshua Gershick moderated the conversation, which was open to the audience as well, with activist Alexis Sanchez.

English writer Jon Brittain's "Rotterdam" is a story about discovering oneself that is relatable and heartwarming. Award-winning director Michael A. Sheppard tells the story in an innovative and fresh way by incorporating music and staging as an integral part of shifting scenes, allowing the story to flow without pause.

The story starts with Alice, played by the hilarious Miranda Wynne, thinking about finally coming out to her parents and drafts an email to do just that. The person Alice knew as her girlfriend, Fiona, reads the email which prompts another coming out -- this time as a transman named Adrian, well-played in an evocative performance by Ashley Romans. Yet, as Alice learns to understand that the person she was with for seven years is man, she learns to come to terms with her own identity as a lesbian and how not fully embracing that key part of her identity caused trouble in knowing how to love and accept others. Alice starts to experience new things with the guidance of her new friend Lelani that lends a hand at discovering herself.

Audrey Cain plays the playful and unintentionally insightful Lelani in a very funny and well-played performance that often added comic relief. Ryan Brophy plays Alice's best friend, Josh, whose loving nature lends support to her and Adrian while also being light-hearted.

The Olivier Award-Winning show is now extended through December 31 and is the perfect show to see for a night of great theater. It is such a topical and engaging story that brings the human experience in all its shapes and forms to life the way only the Skylight Theatre can produce.

Listen to behind the scenes interviews here:

Dynamic Dames Film Series

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Harrison Held, Juliet Hyde White, Christian Meoli, Sloan DeForrest
The Dynamic Dames Film Series got off to a dynamic start Saturday night at Hollywood's new Arena Cinelounge. The opening night audience was warmly welcomed by noted journalist Sloan DeForrest. The series featured the noir thriller "Don't Bother to Knock" starring the incomparable Marilyn Monroe in her first starring part in a movie.

Made in 1952 on an very low budget, the film showcased Ms. Monroe's vast range in a very unusual role as a psychotic babysitter. 20th Century Fox Studio head Daryl Zanuck had faith in Ms. Monroe's star power and talents and cast her in the role. The film was written by Oscar winning writer Daniel Taradash who won the Academy Award for his screenplay of "From Here to Eternity."

Prior to the screening, esteemed Marilyn Remembered fan club president Greg Schreiner and costumer Juliet Hyde White, daughter of Wilfrid Hyde White Marilyn's co-star from her film "Let's Make Love," joined entertainment reporter/actor Harrison Held for an informative Q&A where it was revealed that "Don't Bother to Knock" was Marilyn's favorite role and that the film was so low budget that only one take of each scene was allowed.

The Dynamic Dames series continues through December 9 and is produced by Aussie beauty Camilla Jackson. For tickets, visit www.arenascreen.com.

Bled for the Household Truth - Theatre Review

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By Annette Semerdjian


Alexandra Hellquist and Benjamin Burdick
Photo: John Perrin Flynn
"Bled for the Household Truth" is an engaging and exciting new play at Rogue Machine at The MET Theatre that had the audience on the edge of their seats. We were so invested in these characters, wanting to know what came next for them. Despite the characters' flaws and often repulsive behavior, the audience could see the small light of humanity within them that once shined brighter before their traumas molded them into the person they are. The play was inspired partly by a Craigslist ad that appeared intermittently between 2008 and 2010 proposing a discrete arrangement that would objectify a young woman in exchange for her paying very low rent for a top notch room in a New York apartment.

Stylized as "bled for the household truth," the play, directed by Cameron Watson, closes each scene in abrupt darkness once it reaches its peak, making the transitioning scenes equally as stark as the story itself.

One can easily empathize with these characters that initially were off-putting. The biggest part of the play's success in creating such compelling characters is from writer Ruth Fowler. Every bit of dialogue scratches closer to the truth, as unsettling yet necessary as it may be, in a natural progression.

Another part of the play's success was the performances by the amazing cast who portrayed such difficult roles so naturally. Rachel Brunner and Nathaniel Meek played Monica and Billy respectively and presented such key components to the theme of the play as background characters.


Rachel Brunner, Nathaniel Meek and Alexandra Hellquist
Photo: John Perrin Flynn
The story follows Pen, a woman who answers a Craigslist ad to live in a New York apartment for free as long as her roommate, the man who posted the ad, Keith, can gawk at her as she prances around in her underwear. Alexandra Hellquist plays Pen in a very compelling performance that bared such strength behind someone who was so vulnerable. Benjamin Burdick plays Keith with such intensity that his bouts of rage and deviance become palpable.

All the actors in this play bravely and honestly play such complex characters that exhibit the current culture and its lust for excess while missing out on real human connections.  This production is not easy to sit through because of how raw and openly it places the reality we often avoid right in front of our eyes, but it's the play's closing scene that makes the rough journey worth it.

Rogue Machine Theatre never shies away from making daring productions that bare the parts of ourselves and others often kept under wraps, and this latest production is the epitome of that.

"Bled for the Household Truth" presents the unique and evocative experience of local theatre that shouldn't be missed, playing at Rogue Machine at The MET Theatre through December 18.

World of Wonder Presents The 13th Annual WOWie Awards

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By Annette Semerdjian


Laganja Estranja and Gia Gunn with their
BESTie Friends Award as the fan-favorite duo on RPDR
Photo by Discover Hollywood
Emmy winning production company behind hit TV shows like "RuPaul's Drag Race," World of Wonder, presented their annual WOWie Awards last night, honoring some of the best and worst of all things pop culture. The World of Wonder Productions company is located right in the heart of Hollywood on the Boulevard and even films shows like "Alyssa's Secret" on site, bringing even more diversity and flare to the already lively place that is Hollywood.

The night was hosted by the one and only Party Monster himself, James St. James, with special guest presenter singer Traci Braxton of "Braxton Family Values."

The event had everyone's favorite stars from Chris Crocker to Trixie Mattel to Laith Ashley.

Although RuPaul won the Surprising Political Voices Award, he has been a trailblazing figure in popular culture with his career as an entertainer and with his Emmy award-winning show, "RuPaul's Drag Race," which serves a major voice for the LGBTQ community. Along with World of Wonder Productions, they have created a platform for embracing yourself whoever you may be. Take a look at the hilarious categories and winners voted by fans below.



WINNERS LIST:

Best Blog or Website AKA The Dear Electronic Diary Award

Teen Vogue


Best Youtube Channel AKA She Be on the Interwebs Huney Award

Hey Qween


Best Twitter AKA Best Use of 140 errr 280 Characters
Michelle Visage


WORST Twitter Award aka WORST Use of 140/280 Characters

A 5-way tie:
Donald Trump
Donald Trump Jr.
Ivanka Trump
@POTUS
Tomi Lahren




Ongina with James St. James
Photo by Discover Hollywood
Best Instagram AKA Insta Scroll Stopper

Tommy Lenk


Viral Moment AKA The OMG GURL DID YOU SEE THAT Award
Sasha Velour Rose Petals Drag Race Season 9 Finale


Social Influencer AKA the Look What You Made Me Do Award

TIE:
Bretman Rock/Joey Graceffa



Resistor of the Year AKA the Power to The People Award
Colin Kaepernick


Best Drag Looks AKA the Looking Good, Feeling Gorgeous Award
Sasha Velour


People That Inspire Us AKA The Wind Beneath My Wings Award

Phi Phi O'Hara for the Queens United Show


Fiercest Party People AKA The Dance The Night Away Award

The Boulet Brothers


Best Judy AKA Best Squirrel Friend Award
The Pit Crew


WOWlebrity on the Rise AKA the Look at Her Award

Chris Crocker


Best Lips AKA the Pucker Up Award
Raven


Best Drag Queen Music Video AKA Yasss Video Queen Award Three Way Tie:
• Trixie Mattel - Mama Don't Make Me Put On The Dress Again
• Alaska 5000 - Come to Brazil
• Adore Delano - Negative Nancy



Best Earworm AKA Can't Get You Out Of My Head Award

Bodak Yellow - Cardi B


Best Podcast AKA the Tea Spillin' Award
RuPaul: What's the Tee?


Best LGBTQ Comedian AKA the LMAO Award
Margaret Cho


Best Reaction AKA the Serving Face Award
Aja during the Drag Race Season 9 Reunion


Top Things We Love To Hate AKA The Unexpectedly Fab Award

Kylie Jenner Makeup


LOL Moment of 2017 AKA Gimme the Giggles Award
Melissa McCarthy as Sean Spicer on SNL


Hottest Instagram AKA My Insta Bae Award
TIE:
Luke Austin/Michael Todd


Best Meme/GIF AKA the 'I Gotta Send This To Everyone' Award
Viola Davis Leaving with Her Purse


Best Red Carpet Looks AKA Slayin' The Carpet

The Stranger Things cast EVERYWHERE THEY GO


Surprising Political Voices AKA the Look Who's Political Now Award

RuPaul


Kiki With Conservatives Award AKA Tea at High Noon Award

Ana Navarro

Annie Reiner at the Catalina

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By Harrison Held

Super singer and eclectic Songstress Annie Reiner presented a very lovely and lively show this past week at the Catalina Jazz Club in Hollywood. This very talented and accomplished Renaissance woman wears many hats ranging from playwright to poet, painter and psychoanalyst.

Ms. Reiner comes from a family of hyphenates - her father comedy legend Carl Reiner is a writer/actor/producer/director and her mother Estelle Reiner was a talented painter, domestic engineer and accomplished jazz singer. Her father proudly refers to her as the world's greatest singing psychoanalyst, but as she points out he has yet to prove this.

Since Barbra Streisand only played a psychoanalyst in "Prince of Tides," I think the award should rightfully go to Annie. Annie's colorful repertoire ranged from jazz to blues to pop, with show tunes and songs from Leonard Cohen thrown into the mix.

It was great hearing a woman beautifully sing "I'm Your Man" and other male orientated Cohen tunes and it was fun to have family friend Mel Brooks in the audience playfully heckling Annie that she should have done some Cole Porter... only in Hollywood.

The fun show included "You're Beautiful As You Feel,""I'm a Woman,""In My Secret Life,""For What It's Worth (Stop Hey What's That Sound),""If It Be Your Will,""It Don't Mean A Thing,""Who Could Ask for Anything More" and "Find Out What He Likes." It was fun hearing Ms. Reiner share her anecdotes about seeing Janis Joplin live right after graduating from high school, witnessing her star turning performance at Monterey Park and then spying the late great rock star naked in a pool at the Landmark Hotel kissing another woman... once again, only in Hollywood.

Ms. Reiner was accompanied by the talented Charlie Harrison and Combo with back up singers Alice Manning and Judy Nagy. Her CD Blues & Other Hues is now available on Amazon. Ms. Reiner also keeps active on the global speakers circuit with an appearance coming up next in Israel. I look forward to hearing about that at her next show.

Letter from the Editor

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Some say that Southern California has no seasons, but that's not quite true. Yes, we're fortunate to have one of the world's best climates occasionally interspersed with rain, fire and the dreaded Santa Anas. We also have awards season. That zany time when all is celebrity and industry buzz. It's a heady, fun time when a little of the glitter rubs off on us plain folks.

In this issue, James Bartlett takes us backstage for a look at the first group to give out awards, the Hollywood Foreign Press Association.

More celebrity and Hollywood history are coming our way with the much-anticipated Academy Museum of Motion Pictures. Originally planned for Hollywood, its nearby home adjacent to the Los Angeles County Museum of Art (LACMA) is a perfect site. It will be opening in a little more than a year--a long awaited dream come true.

While you're browsing through this issue, be sure to read Lee Purcell's moving piece on why she loves Hollywood. She brings to it all that this place means to countless hopefuls who take the leap to come here. As we watch the many awards shows, we will hear stories such as this over and over.

Speaking of dreams coming true, Rachel Flanagan reports that with Netflix, Viacom and Fender Guitars establishing bastions in Hollywood, everything old can be new again. With the newly restored Columbia Square campus and Netflix occupying Hudson Pacific's spectacular new building as well as its historic Warner Bros. property at its Sunset Gower Studios location. Built on the shoulders of the Golden Era, there's no doubt Hollywood is back, bigger and better than ever.

And, if it's just to treat your love of vintage Hollywood (think Don the Beachcomber meets Casablanca), mixed with a new vibe, do yourself a favor and drop by LONO literally steps off the Walk of Fame near Cherokee for a fresh start to the New Year. It's a hidden gem. Shhhh... It won't be a secret for long.

It's a time to celebrate and make resolutions and a time to recall that in Hollywood dreams do come true. The envelope please. Happy New Year.

Oscar's Hollywood

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Let's hear it for Hudson Pacific Properties spectacular new Sunset-Bronson Studios building on Sunset Blvd. If you are not aware, Netflix now occupies not only the entire 14 story building that is called "ICON" but the historic former Warner Bros. building as well.

Netflix, the world's leading internet entertainment service with over 109 million members in over 190 countries enjoying more than 125 million hours of TV shows and movies per day, including original series, documentaries and feature films, now occupies 560,000 square feet of space at Sunset Bronson Studios. All here in Hollywood. That's a lot of space and a lot of jobs. About 1,000!

These are jobs that reflect the new entertainment industry and bring to our community young, creative types who, for the most part, will live here and contribute to the economic and cultural well-being of Hollywood.

We are thankful to Hudson Pacific who had the vision to invest in Sunset Gower Studios in 2007 and Sunset Bronson Studios in 2008. Also, their recent acquisition of the historic Hollywood Center Studios, renamed Sunset Las Palmas, adds 12 sound stages to their holdings.

Television Critics Association Press Tour

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By Valerie Milano

FX CEO Speaks at the TCA Winter 2018 Press Tour Executive Session

FX Executive Session, TCA Winter Press Tour, Los Angeles, USA - 05 Jan 2018

Landgraf began by mentioning "Mayans MC," Kurt Sutter's follow-up to the hit series "Sons of Anarchy.""Mayans MC" features an almost entirely Latino cast, representing the FX belief that "hit television and diverse television can be two ways of describing the same thing.""Mayans MC" will debut in late summer or early fall right around the 10th anniversary of the series premiere of "Sons."

Landgraf observed along with Charles Dickens in "A Tale of Two Cities" that 2017 had been the best of times and worst of times. "Information technology and the Internet are rapidly transforming almost every aspect of our lives, some for better, some for worse. We're much more connected in superficial ways, but more isolated in profound ones," Landgraf said.

FX 'The Assassination of Gianni Versace: American Crime Story' TV show panel, TCA Winter Press Tour, Los Angeles, USA - 05 Jan 2018


Ryan Murphy
Photo by David Buchan/Variety/REX/Shutterstock


"Technology has made life more convenient but is slowly taking our jobs while simultaneously making us more entitled and lazy. Internet culture has elevated the voices of many people who deserve to be heard but is also elevating voices of many people who have nothing of value to say.

More than anything else, we now have the most powerful tool for distributing, selecting, and shaping information the world has ever known, but those who control it are not held to any firm standard of legal or moral accountability in return for the huge profits and power they derive," continued Landgraf. "Instant gratification tends to make us grow down, while processing the frustration of delayed gratification tends to make us grow up! So only time will tell whether the Internet's ultimate impact on society turns out to be positive."

At its best, television can provide a context for compelling human stories about fascinating people such as Gianni Versace ("American Crime Story") and the Getty family ("Trust"). In 2017 FX had a very successful set of drama launches with "Feud: Bette and Joan,""Taboo,""Legion," and "Snowfall." Other successful shows in 2017 were the third installment of "Fargo,""American Horror Story: Cult," and "Better Things." Eleven of the 14 shows that FX programmed last year, about 80 percent, made year-end "best" lists.

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Disney Merger Discussed at TCA'S FOX Executive Session


The FOX Network held an executive session on Thursday, January 4th, 2018 at the TCA Winter Press Tour taking place at the luxurious Langham Hotel in Pasadena. Below is a summary of this session.

Gary said that 21st Century Fox had announced the sale of many of its assets to the Walt Disney Company a few weeks prior. "On the day the deal closes, the TV studio will become part of Disney," he reiterated.


Co-Chair/CEO, Fox Television Group, Gary Newman,
Angela Bassett and Co-Chair/CEO, Fox Television Group,
Dana Walden attend the FOX All-Star Party during the
2018 Winter TCA Tour at The Langham Huntington, Pasadena
on January 4, 2018 in Pasadena, California.
(Jan. 3, 2018 - Source: Kevin Winter/Getty Images North America)

 
The Fox TV Group comprises both Fox Broadcasting Company and 20th Century Fox Television. It has produced Emmy winners and culture defining hits such as "M*A*S*H,""The Simpsons,""Buffy the Vampire Slayer,""Empire,""24,""Modern Family," and "Glee" under the direction of some of the strongest creators in the industry, according to Newman. FBC, Fox Sports, Fox News, and the FOX owned and operated stations will also be spun off into what is being called "New Fox."

The FOX/Disney deal is expected to take 12 to 18 months to close with many FOX shows already in production. "We are not going to let that distract us. We will remain focused on managing the business of FOX," Gary assured his listeners.

Gary briefly mentioned some top FOX shows such as EMPIRE and THE GIFTED before turning his attention to three new series launched since the New Year: "9 1 1,""LA to Vegas," and "The X-Files.""The Four: Battle for Stardom" with its "original and distinctive" format was scheduled to launch that same day on January 4th and "The Resident" will premiere a little later on January 21st. All of the shows will be out ahead of the Olympics and FOX competitors' new programs. The FOX marketing and publicity teams have been "working on overdrive" for weeks!

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Showtime Holds Executive Session at the 2018 TCA Winter Press Tours


Pasadena, CA 1/9/18 - Johanna Fuentes, head of PR, introduced the Showtime executive session taking place at the Winter TCA Press Tours held at the Langham Hotel in Pasadena on Saturday, January 6th, 2018. Present was David Nevins, Showtime President and CEO.


David Nevins, President and CEO, Showtime Networks,
during the executive panel at the TCA WINTER
PRESS TOUR 2018 in Pasadena on 1/6/18.
Photo Credit: Eric Charbonneau/SHOWTIME.

Nevins noted how quickly everything in television was changing. "That word 'television' is now just an entry point into an ecosystem far more complex and colorful than the black and white era that coined that word," he said.

Nevins said, "This is a fantastic time to be working in television, if you're well positioned for its challenges. And Showtime is extremely well positioned." The "prime directive" of the network is to develop and disseminate premium content that attracts an ever-growing number of paid subscribers.

According to Nevins, consumers are voting for Showtime in greater numbers because they have increasingly provided a buffet of programming that satiates a wider variety of appetites. Nothing short of the Super Bowl is for everyone, but Showtime premieres new shows like "Homeland,""Billions," and "Shameless" at least every single month. Showtime is also the world's leading outlet for live boxing!

In addition to first-run movies, Showtime now offers a prime slate of non-fiction programming. "This is how we attract new subscribers, and it's our bulwark against churn with our existing customers," Nevins concluded.

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My Father's a Cop - Theatre Review

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By Harrison Held


Jerry Dean
Photo by Matt Kamimura
Take a walk on the wild side... "My Father's a Cop" is a funny and highly entertaining new one-man show starring actor Jerry Dean. The self confessed former con man, boxer, actor, model and drug addict has led a very colorful and frequently charmed whirlwind life, mingling with the rich, famous and beautiful while not spending time behind bars.  He fought his demons, addictions and other prisoners.

He is a true survivor and is lucky to be alive today sharing his inspiring story. The son of a New York City cop, he grew up in New York City's West Village and somehow got involved in a life of crime stealing from hookers at brothels at a very young age. His devoted father Joe Dean appears in the production via interesting video clips illuminating the story. "My Father's a Cop" is not for kids and the dark, graphic content and language is not for everyone.

In my own life I have had friends with various addictions so I know how hard it is for people in these situations to live a normal and productive life. It's been a long tough road and I commend Jerry Dean for telling his story and for kicking his habits and for having a good sense of humor about it all. He tells interesting, shocking and very funny stories about his experiences. " My Father's A Cop" was co-written by director Kurt Brungardt and executive produced by Derik Howard. Cool set design and lighting by Raymond King Shurtz who also serves as an associate producer.

This show is definitely not for the faint of heart, but is a very interesting, thought provoking, entertaining and inspiring story worth seeing. "My Father's a Cop" runs through January 28th at The Lounge Theatre. Visit www.myfathersacop.brownpapertickets.com for more information.

Disney's Aladdin - Theatre Review

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By Rachel Flanagan


Anthony Murphy
Photo by Cylla von Tiedemann
In 1992, Disney brought the animated classic "Aladdin" to life on movie screens. "Aladdin," the story of a street urchin in the fictional city of Agrabah who falls in love with a beautiful princess and uses the magical powers of a genie (magically voiced by the one and only Robin Williams) to become a prince so they could be married. In 2014, "Aladdin the Musical" debuted on Broadway, with a few new songs and a few twists on the story. Now, "Aladdin" makes its Los Angeles debut and audiences young and old will get to experience a whole new world with "Disney's Aladdin" at the Pantages Theatre starring many of the original Broadway cast.

The 2014 Broadway show has been nothing but a huge hit in New York throughout its run earning over $300 million to date and creating at least five additional stage productions throughout the world. The Los Angeles production stars Adam Jacobs, who originated the role of Aladdin along with his buddies Babkak, Omar and Kassim (Zach Bencal, Phillipe Arroyo, Mike Longo respectively) who make up for the loss of Aladdin's only friend, Abu. To add depth to the character, the theater production creates a story and song ("Proud of Your Boy") to show that Aladdin once had a mother and while him and his buddies waste their time with a life of crime robbing street vendors and entertaining visitors in the market place, he really just wants to show that there's much more to who he is than your average street rat.

While Aladdin's friends all bring their own flair to the stage and their friendship with Aladdin is endearing, it's almost harder to feel sorry for him and wonder if there really is a depth to his character. Princess Jasmine, the Sultan's daughter is played by Isabelle McCalla, a strong and independent woman who is tired of living by old and outdated laws that do not give women the rights they deserve, quite the relevant concept in today's culture. The Sultan, JC Montgomery, wants Jasmine to pick a suitor and just go along with the way things are but her strong willed nature is too much for most of the princes who try to win her hand. When the Sultan's trusted advisor, Jafar (played by Jonathan Weir and the character who most resembles the original animated version) decides to overthrow the Sultan, he enlists the help of his parrot like side-kick Iago (Also an original New York cast member Reggie De Leon) to trick Aladdin to enter the cave of wonders and fetch him a magic lamp. When Aladdin gets stuck in the cave, he rubs the lamp and befriends the Genie (Michael James Scott) into making him a prince so that he can win over the princess. True to Disney's nature, the schemes fail but the good guys still win, the bad guys get what's coming to them and true love prevails even if it means changing rules that have been held standard for decades.

The most stunning scene in the entire production has a lot to do with Casey Nicholaw's brilliant choreography and Bob Crowley's amazing set design. The Cave of Wonders appears as a solid cave made from the head of a panther with green eyes and as a voice calls for the Diamond in the Rough, Aladdin, of course, to enter the set is magically transformed in a dazzling place filled with glitz and glamor and sparkling gold everywhere. It was beautiful and magical and even my heart filled with the joy of my childhood when I first saw "Aladdin" as a 10-year-old girl. As if the set was not amazing enough, Scott appears as the genie, who plays the role in the most spectacular over the top way as if a magician and a drag queen were one in the same. As the entire ensemble comes out in stunning costumes to perform the hit "Friend Like Me," the audience can do nothing but sit back in awe as they watch literal magic happen on stage. The other moment of awe comes in the second act when Princess Jasmine and Aladdin go on their magical carpet ride and astound the audience with their wonderful singing while everyone sits back wondering how in the world that carpet is flying around on stage like that.

The biggest disappointment comes in the pacing of the entire production as it seemed so very rushed from characters speaking to each other to even some of the songs and the transitions from scene to scene. There was little to no time to let the wonderment, the love and the endearing quality of the characters and story to sink in and the entire show seemed very rushed. The production should slow down a little and let the magic of the performance linger with the audience a little more.

Overall, "Aladdin" at Pantages is a fast paced ride that will leave audience soaring, tumbling and freewheeling through a diamond studded cast filled with heart and magic that will leave you looking around for your own diamond in the rough.

Don't miss out on "Disney's Aladdin" at the Hollywood Pantages Theatre through March 31.

TCA Press Tour - Lifetime Presentations to Look Forward to

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By Valerie Milano


Catherine Zeta-Jones at the Lifetime
"Cocaine Godmother: The Griselda Blanco Story" TV show panel,
TCA Winter Press Tour, Jan 2018
Photo by David Buchan/Variety/REX/Shutterstock

For over 30 years the Lifetime network has provided cutting-edge programming for women. Lifetime movies and TV to watch for include Kyra Sedgwick's "Story of a Girl: Faith Under Fire" starring Grammy winner Toni Braxton as well as a biopic of Olympian Simone Biles, often referred to as the greatest gymnast ever.

This year, journalists have played an important role in exposing abuses of power. How far might we go to uncover a story? Pioneering journalist Nellie Bly actually pretended to be crazy and got herself committed to uncover abuses of patients in an insane asylum. This riveting story starring Golden Globe nominee Christina Ricci as Nellie will also be told on Lifetime. Lifetime will also soon debut a movie about Prince Harry and Meghan Markle as well as Rob Lowe's re-imagining of the classic thriller "The Bad Seed."

Academy and Tony Award-winning actress Catherine Zeta-Jones spoke about her exciting new role in the upcoming Lifetime drama "Cocaine Godmother: The Griselda Blanco Story" at a TCA Winter 2018 press tour panel. "Cocaine Godmother" is set to debut very soon on January 20. Also present on the panel was Zeta-Jones' co-star, Juan Pablo Espinosa. Zeta-Jones said that, although she had made such an impression in the acclaimed 2000 film "Traffic" about the war on drugs in America, she hadn't been tapped for the role of Griselda Blanco. She herself went after it after seeing the 2006 documentary "Cocaine Cowboys" and hearing about the woman everyone kept referring to as "La Madrina."

"My God, what did I know about this woman in a very dark, dangerous, man's world who had so much power!" Zeta-Jones exclaimed. And then it happened that Tanya Lopez at Lifetime A&E got a script about Griselda Blanco and put Zeta-Jones onto it while they were discussing some different projects. While commenting on the roles that women often play in the drug world and the reasons they are recruited for them, Zeta-Jones referred back to the woman she played in "Traffic," who was neither an "unknowing wife" or "unfortunate victim." This woman in fact became like Michael Corleone in "The Godfather" when she took over the illicit family business. Zeta-Jones insisted that Griselda was the "polar opposite" of everything she believed in morally and she just relished playing her.

Juan Pablo Espinosa, a native of Colombia, said he had been thrilled to be part of a project that told the drug story from a woman's perspective. He had seen Catherine Zeta-Jones in "The Mask of Zorro" and was excited to hear Colombians saying that she looked and sounded Colombian in the Griselda Blanco film and had to be Latin American.

An audience member said of Griselda, "This is such a strong woman who doesn't take anything from anyone, who doesn't give up to men's power" and asked Catherine Zeta-Jones how important it was for her to play women like that. Zeta-Jones replied, "Well, as an actor you want to play all sorts of women, you know. This is not a cookie cutter kind of thing!" While Griselda was not a likeable person, she definitely had layers of vulnerability worth exploring. "The cracks [in Griselda's character] got much deeper and the wheels started to come off because, as with every addict, eventually the wheels come off," Zeta-Jones concluded.


Actors Catherine Zeta-Jones and Juan Pablo Espinosa of
"Cocaine Godmother: The Griselda Blanco Story" speak
onstage during the A&E Networks portion of the
Winter Television Critics Association Press Tour
at The Langham Huntington, Pasedena
Photo: Frederick M. Brown/Getty Images North America

Zeta-Jones, a working mother herself, understands that women need to be both sweet and strong to fill the many roles required of them in life. Her advice to younger actors coming up is "Keep turning up" despite the knocks in the road. "You have to battle the storms, you know!"

Zeta-Jones considers the four weeks of shooting she did for the Griselda Blanco film to be the best four weeks of her life. Working on the film made her remember how much she loved what she did. The opening scene of the film where the 11-year-old Griselda is shown having sex with a grown man and then being beaten by her mother shocks even those who are not easily shocked. Zeta-Jones commented, "We had to have that moment. Not to justify anything, but to get a sense of where this woman came from." Zeta-Jones continued, "You know, Lifetime does such great stories about women for women...and we're seeing another side of women. Maybe men should watch more of Griselda on Lifetime. Get a better sense of what we really can do."

The child actors in the film are said to be "unbelievable" in their heart-wrenching roles. Catherine Zeta-Jones herself underwent quite a transformation to play Griselda Blanco. While not as naturally beautiful as Zeta-Jones, Blanco wore long eyelashes, colorful clothing, and a lot of red lipstick and nail polish, even in prison. "She was the movie star starring in her own movie in her own head," observed Zeta-Jones. 

Catherine Zeta-Jones' equally well-known Hollywood husband, Michael Douglas, told her, "You don't have to do much. You are at your most terrifying when you do nothing." After dissecting that comment for a few minutes, Zeta-Jones thanked the assembled group of critics for following her television work. "I love the way that television has really become a wonderful platform for us [actors]," she said right before the panel wrapped up.

The Ugly Duckling - Theatre Review

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By Jen Brown


Heather Keller McCarthy, Kathy Garrick,
Anthony Grupposo and Kristin Towers Rowles
Photo by Dina Morrone
As per usual, Storybook Theatre served up the sweetest of shows with the strongest of messages - "Even though you're different, you are still family!" It's an important message and this lovely bunch of top-notch players fired the message home at every opportunity.

The tale began with an unnamed giant-sized dog, bounding down through the auditorium. When he clambered onstage and declared he was a "Collector of Ducks," we weren't worried. The affable performance by Anthony Grupposo ensured us we had nothing to be worried about; so enamored were we with this hound-dog's cuddly antics, that by the time he asked the young members of the audience to think of a name for him, my youngest granddaughter had no hesitation in shouting out "Jeff!" (Which suited him rather well, I thought.)

Next came clucking Mama Duck (Kathy Garrick) with daughter, Rosie, (Laura Wolfe), whom I believe was already a little jealous of her sibling-duckling to come. These two made a delightful duo, bouncing off each other in splendid fashion, as all good Moms and daughters do. There was fun to be had throughout their repartee with quips like "Twinkle, Twinkle little Egg,""The Young and the Duckless" and "Put it on my Bill."

When Mama Duck made her exit to go do the shopping, big sister Rosie covered the large egg with a brightly colored quilt and left children from the audience to duck-sit! These lucky few, bewildered at first, got the surprise of their lives when the Ugly Duckling itself cracked its way into the world. This little duck who was different, played superbly by young actress, Makayla Rowles, positively charmed its way into the hearts of two young theater goers and in particular, my granddaughters, Stella and Cynthia. With enchanting voice and skillful dance moves, Miss Rowles' strong, yet innocent portrayal captured their imagination.

One of the many highlights of the show and indeed a very fitting touch was when family members were invited onstage to talk about how different they were from each other. Brothers announced their sisters were girls! "Her hair is curly and mine is straight!" - "He has a missing tooth!" The comments from the youngsters came thick and fast and were all embracing. The emphasis all the while, on how boring life would be if we were all the same and the fantastic recognition of how there is room for every one of us.

Toward the end of the show, my heart literally melted when the not so ugly duckling danced to the Swan Lake Overture. To watch a lovely young girl dance so exquisitely in a pair of sneakers brought a lump to my throat. It also prompted a look of pride from Mama Duck to me, as we both acknowledged the poignancy of the moment. No surprise then, that this little lady's Great-Great-Grandmother was, Kathryn Grayson, the huge star of MGM musicals in the 40s. I believe this to be no Swan Song for Makayla Rowles, but rather the beginning of a very promising career.

The Set Design (Grupposo) was simple and effective, lending well to the action onstage. Pretty trees and flowers and a nicely placed seat made certain the Ugly Duckling's entrance would be an impressive one. The Music and Lyrics (Adryan Russ) suited the mood of the show, with songs like "Gotta Find Me a Duck" and "Quack, Quack, Quack." The wistful "Where do I Belong?" and "I Just Can't Quack" added a certain amount of reflection.

Producer Barbara Mallory and writer, her husband, Lloyd J. Schwartz put the production together well and made it the perfect length of time to expect young children to sit, behold and enjoy. A well-placed intermission (just half an hour in!) with free cookies and juice is the icing on the cake, if you'll pardon the pun! Hats off to all cast and crew, including David P. Johnson, who stage managed this heart-warming show.

Storybook Theatre at Theatre West excels in presenting top class theater for children and "The Ugly Duckling" is no exception. The show has been extended through to April 28 - be sure not to miss this fun-filled family afternoon!

Demin Doves - Theatre Review

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By Rachel Flanagan

"Denim Doves" is self-described as a feminist farce, with music, stuck somewhere between "The Handmaid's Tale" and "Idiocracy." The audience joins in one morning to witness a small commune made up of a five seemingly clueless woman who have an affinity for denim, singing silly ritualistic songs and performing the act of procreation with their husband, the completely immature Penis, who only became husband after his uncle's mysterious death. With characters introducing the show in a comedic way with the use of loudspeakers, hymnals and pieces of denim in hand, one might feel like they are in for a fun ride with the denim-clad clan.


Miss Barbie-Q as Interpreter 1
Photo by Jessica Sherman Photography
In this small commune, the four younger wives are happy to follow in the footsteps of the older first wife, the only one who has officially planted seed during the blood moon and given birth to a son, now an adult still living at home and uninterested in finding his own wives. While Penis is in charge, he seems completely naïve and juvenile and it isn't until a mysterious sixth wife arrive that the secrets the first wife has been keeping from both Penis and the other wives begins to seep through. It seems that first wife has used the naivety of the rest of the family to rig the mating ritual so that no new births happen and so that no one comes to the commune to find out that they're not living as they should in this post-apocalyptic world.

Much like the hand shaking mating ritual, this farce left much to be desired. With such a relevant and topical subject, there was no clear direction in playwright Adrienne Dawes' play to help guide the audience through the story. Silly nonsensical songs, inane procreation rituals, a full frontal male nudity scene and at times breaking the fourth wall to bring the audience into the story seem to be nothing more than a distraction tactic so that the audience forgets there is supposed to be a story here about men and women who are willing to stand up against their oppressors and eventually learn to stop hiding and fight for what they believe in.

There are so many unanswered questions and hints to a story with more depth that the silly antics just seem to be contrived. The hymnals handed out before the show were used once and the show didn't even seem to use some of the hymns so that one could attempt to follow along somehow, someway. Plus, we were all instructed to take a piece of denim as it was "important to the story" and I'm not quite sure if it was forgotten or just another theatrical bit designed to make the audience forget that this playwright had an agenda but chose a confusing platform for which to present.

The acting chops weren't bad, Corey Walter Johnson did a wonderful job as the bumbling and clueless Penis who just wanted to practice his inappropriate comedy skills. Janellen Steininger, Meg Cashel, Jennie Kwan, Lana Rae Jarvis and Teri Gamble left nothing to be desired in their dancing, singing and apparently forbidden guitar playing skills as the wives. Evangeline Crittenden was a very enthusiastic sixth wife ready to perform the mating ritual the right way and willing to do whatever it took to belong and follow. Tyler Bremer was probably the most fun to watch as the first son unwilling to grow up and Miss Barbie-Q was a welcome breath of enthusiasm as the prophet who really saved the day. The alternating projections by designer David M. was one of the few welcomed distractions. If I never have to see fake blood pooled in an irregular shape on white sheets pulled from under a woman's bottom again, it'll be too soon. Should you go to see "Denim Doves" at Sacred Fools you'll probably laugh, but the only thing you'll take away from the experience is a piece of denim.

Even though the story isn't easily comprehensible, "Denim Doves" takes on the subject of sex, menstruation and feminism in a celestial dystopian future with a unique brazenness that is both refreshing and welcomed in our present society. "Demin Doves" plays through February 17 at The Broadwater.

The Chosen - Theatre Review

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By Bill Garry


Sam Mandel, Dor Gvirtsman, Alan Blumenfeld
Photo by Ed Krieger
The first thought I had while watching "The Chosen," now playing until March 25 at the Fountain Theatre, was "How did they get such authentic New York Jews?" For the Fountain has cast four superb actors in their adaptation of Chaim Potok's novel about Jewish families in 1940's Brooklyn. On the theater's intimate stage, I was convinced that I was watching their own stories in their own living rooms.

The play concerns two sets of fathers and sons, from different parts of the Jewish spectrum, and their co-dependent relationship with each other. The Saunders family is Hasidic and occupies a sheltered world centered around Torah (the five books of the Jewish bible) -- no movies, no modern fashion, books or psychology. The Malters are Modern Orthodox and navigate the modern world through a strict (they would say superior) moral and intellectual lens.

As the world moves to war, the sons move from high school to college and deal with issues political, familial, and hormonal. Despite the weighty topics, the show provides plenty of laughs as the two boys challenge each other, their fathers and their faith.

The core of the show is the relationship between the Hasidic father -- a rabbi and leader of his religious sect -- and his son, confronting the modern world and its temptations. Reb Saunders raises his son with strict and stifling, rabbinical theories. Danny Saunders suffers with bigger dreams than his father will allow.

While the show sometimes devolves into Talmudic lectures (The Talmud is the historic source of Jewish law and interpretation), the conflict between rabbi and son is the constant undercurrent that moves the story along.

Dor Gvirtsman is Danny, the rabbi's complex -- intellectual, immature, anxious, angry and bewildered -- son. Seemingly plucked from the streets of Borough Park, Brooklyn, Mr. Gvirtsman holds the attention and sympathies of the audience in his hand. Believe it or not, he is a native Californian who works in sitcoms. Watch for him.

Alan Blumenfeld is Reb Saunders, a man so well-educated and confident in his ability to lead his community that he seems blind to his own son's suffering. Mr. Blumenfeld inhabits the character with larger than life gusto, yet teases us with interior pain of his own. Suffice to say, the actor lets his New York bloodline show.

The Malter family is Modern Orthodox, with a different view of religion and parenting. David, a teacher and political activist, and son Reuven, go head-to-head with the strict interpretations of their Hasidic friends.

Sam Mandel is Reuven Malter, who plays the role of guide to both Danny and the audience. He breaks the fourth wall and directly addresses us, filling us in on Talmud, Torah, and local gossip with easy leadership. When he turns inward, we see a kid struggling to reconcile what he sees with how he feels. Mr. Mandel's deftly walks the fence between observer and participant. The actor is a native Los Angelino who channels New York intellectual energy without being a cliché.

Jonathan Arkin is David Malter, Reuven's father and our connection to the political unrest of the time. Malter's heroes are Theodor Herzl and Chaim Weizmann (the zionist founders of Israel), and he struggles with serving both his son and his cause. Mr. Arkin is a classically-trained actor; but I suspect that his Israeli father and New York upbringing contribute to his performance. I knew many men like Malter when I was growing up in New York.

Simon Levy, the Fountain's long-time producing director, skillfully uses every inch of the compact Fountain stage. A baseball game, crisply staged, is easy to follow. Synagogue scenes feel both airy and intimidating. Together, the director and actors work smoothly and effortlessly (although there is one weird multi-media scene that feels out of place.)

Aaron Posner's script, a revision of his 1999 version, is very verbal. Much emotion is spoken about, not shown. There is a great, and satisfying, emotional ending, but I would have liked to see more heat, earlier.

The Fountain's creative team, as usual, is in top form. Applause to Peter Bayne (music and sound), Donny Jackson (lighting), Linda Michaels (hair/makeup) and Michelle Young (costumes). A standing ovation to Andrea Caban who, as dialect coach, contributed to aural authenticity, and to DeAnne Millais and Terri Roberts, scenic and prop designers. New Yorkers really lived that way.
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